\u201cStar Wars: The Last Jedi\u201d is coming to a theater near you and here\u2019s a roundup of what the critics think.<\/b>
\nThere\u2019s been a growing buzz about \u201cStar Wars: The Last Jedi\u201d \u2013 will it leave fans begging for more of the story or sadly disappointed? Well, the reviews are out and the critics are sharing their thoughts on the film just in time for you to buy your tickets\u2026 or not.
Bob Strauss, Los Angeles Daily News
\u201cIt\u2019s not just a nostalgia-servicing exercise or gigantic toy ad (porgs notwithstanding, though even those comic cuddle objects are kept to a judicious minimum). Rather than go all simpleminded on the good vs. evil issue, \u201cThe Last Jedi\u201d instead projects something like an understanding of actual human nature .\u201d
Manohla Dargis, New York Times
\u201cYes, the latest \u2018Star Wars\u2019 installment is here, and, lo, it is a satisfying, at times transporting entertainment. Remarkably, it has visual wit and a human touch, no small achievement for a seemingly indestructible machine that revved up 40 years ago and shows no signs of sputtering out (ever).\u201d
Matt Zoller Seitz, RogerEbert.com
\u201cIt\u2019s everything a fan could want from a \u2018Star Wars\u2019 film and then some. Even the sorts of viewers who spend the entire running time of movies anticipating every plot twist and crowing \u2018called it!\u2019 when they get one right are likely to come up short here.\u201d
Ann Hornaday, The Washington Post
\u201c\u2018The Last Jedi\u2019 honors the franchise\u2019s chief values of idealism, loyalty and self-sacrifice that made the original \u2018Star Wars\u2019 so beloved, with a similarly appealing ragtag team of hotheads and cockeyed optimists to root for as they try to save their galaxy from totalitarian domination.\u201d
Chris Nashawaty, Entertainment Weekly
\u201c\u2018The Last Jedi\u2019 is a triumph with flaws. But through those flaws, it leaves us with a message as old as time. Our heroes don\u2019t live forever. Death is inevitable. But their battle, if passed down to the right hands, will continue along with their memories. Both in front of and behind the camera, Star Wars has been passed to the right hands.\u201d
Brian Truitt, USA Today
\u201c\u2018The Last Jedi\u2019 is (Adam) Driver\u2019s to rule as much as Force Awakens was (Daisy) Ridley\u2019s, and he\u2019s awesome in it \u2013 Kylo is blockbuster cinema\u2019 s most magnetic and unpredictable antagonist since Heath Ledger\u2019s Dark Knight Joker. Just as good is the original Star Wars hero: (Mark) Hamill lends gravitas, warmth, power and even humility to old Luke in a memorable performance.\u201d
Peter Debruge, Variety
\u201c\u2026 Although \u2018The Last Jedi\u2019 meets a relatively high standard for franchise filmmaking, (Rian) Johnson\u2019s effort is ultimately a disappointment. If anything, it demonstrates just how effective supervising producer Kathleen Kennedy and the forces that oversee this now Disney-owned property are at molding their individual directors\u2019 visions into supporting a unified corporate aesthetic- a process that chewed up and spat out helmers such as Colin Trevorrow, Gareth Edwards, Phil Lord and Christopher Miller. But Johnson was either strong enough or weak enough to adapt to such pressures, and the result is the longest and least essential chapter in the series.\u201d
Sam Adams, Slate
\u201cIt\u2019s like watching a midseason \u2018Game of Thrones\u2019 episode where the only thing the various stories have in common is that they\u2019re at the same points in their arcs.\u201d
Todd McCarthy, Hollywood Reporter
\u201cNarratively, Johnson has a tendency to create digressions within digressions, not that there\u2019s anything necessarily wrong with that as long as you\u2019re skilled enough to keep multiple balls in the air, which he mostly is. The humor does at times strike notes unusual for the franchise, more often to the good than bad, and John Williams\u2019 vigorous eighth Star Wars franchise score never sounds rote or tiresomely familiar.\u201d
Brian Lowry, CNN
\u201cWhile \u2018Force Awakens\u2019 did an admirable job of engineering a baton pass by establishing the new cast (the other key members being John Boyega as Finn and Oscar Isaac as Poe), \u2018Last Jedi\u2019 bogs down in the middle and, the cooler parts notwithstanding, doesn\u2019t rally enough at the finish to offset that.\u201d
Peter Bradshaw, The Guardian
\u201c\u2018The Last Jedi\u2019 gives you an explosive sugar rush of spectacle. It\u2019s a film that buzzes with belief in itself and its own mythic universe \u2013 a euphoric certainty that I think no other movie franchise has. And there is no provisional hesitation or energy dip of the sort that might have been expected between episodes seven and nine.\u201d
Scott Mendelson, Forbes
\u201cIt is one of the best Star Wars movies we\u2019ve seen thus far, standing alongside \u2018The Empire Strikes Back\u2019 and \u2018Revenge of the Sith\u2019 as a visually dazzling and character-driven spectacle which sets itself apart from the blockbuster pack.\u201d<\/p>\n

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Similarity rank: 27<\/div>\n

Sentiment rank: -0.8<\/div>\n

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