The idea that light-skinned minorities are given more privilege than their darker-skinned peers is a centuries-old concept still permeating Hollywood.
The breakthrough representation of minorities in Hollywood blockbusters has ignited a frequently overlooked discussion about whether prejudice isn’t just about the color of a person’s skin, but the shade.
“Colorism,” the idea that light-skinned minorities are given more privilege than their darker-skinned peers, is a centuries-old concept that many insiders say remains pervasive in the entertainment industry. The instant reckoning of social media has brought prominence to the issue and on Tuesday the ABC sitcom “black-ish,” known for not shying from heavier topics, confronted it.
In the episode “Black Like Us,” parents Dre and Bow (played by Anthony Anderson and Tracee Ellis Ross) are appalled when they see that daughter Diane (Marsai Martin) appears darker in her poorly lit classroom photo. Their outrage sparks a tense conversation within the family.
“We felt that this was the year to just put it on our shoulders and see what we can do and hope at the very least we can get people to talk about it openly,” said co-showrunner Kenny Smith.
Executive producer Peter Saji wrote the episode. A light-skinned, mixed-race man, Saji drew from his own experiences as well as research.
“There is a light-skinned privilege that I never really wanted to admit I felt or experienced. I sort of grew up ‘Oh, we’re all black. We all experience the same struggle,’” he said.
More often when movies and television shows ignite conversations about colorism, it’s unintentional.
