Jesse Eisenberg and Riley Keough star in Sasquatch Sunset, though it’s hard to tell, since they don’t speak and are in Bigfoot costumes. In theaters April 12.
Gross-out humor reached its apex in 2010’s Jackass 3D, when the boys slingshotted a ripened port-a-potty 100 feet into the air, and a bungee-cord bounce sent fecal matter splattering all over Steve-O — in glorious 3D, no less! That was it. There was nowhere else to go. Or so I believed.
Sasquatch Sunset has upended comedic history.
The new comedy from filmmaker brothers David and Nathan Zellner stars Jesse Eisenberg and Riley Keough, though you wouldn’t know it without seeing their names on the poster; they’re both outfitted in cryptid costumes that conceal everything but their eyes. It’s really them, movie stars, roaming the woods in big hairy prosthetics. Like the apes in 2001: A Space Odyssey, the movie’s small pack of four sasquatches is on the verge of a new phase of evolution as they unlock the possibilities of the world and their own bodies. This leads them to defecate without restraint, make feral love in the open, and occasionally fondle their dongs. No bodily function goes untapped in Sasquatch Sunset, which happens to be a meditative communion with North America’s glorious woodland.
Sasquatch Sunset is extreme even for the Zellners, who are experts in thwarting expectations and upending movie tropes. Kumiko, the Treasure Hunter, their biggest breakout, stars Rinko Kikuchi as a Tokyo office drone drawn to Minnesota, supposedly in search of the bag of money buried in the snow by the characters in the Coen brothers’ neo-noir Fargo. Twisting urban legend into fantastical docudrama, the film earned indie cult status by threading quirk through tragedy to spin up a genre-defying odyssey.
