Alain Delon, the internationally acclaimed French actor who embodied both the bad guy and the policeman and made hearts throb around the world, died at age 88, French media reported.
Alain Delon, the internationally acclaimed French actor who embodied both the bad guy and the policeman and made hearts throb around the world, died at age 88, French media reported.
With his handsome looks and tender manner, the prolific actor was able to combine toughness with an appealing, vulnerable quality that made him one of France’s memorable leading men.
Delon was also a producer, appeared in plays and, in later years, in television movies.
French president Emmanuel Macron paid tribute on X to “a French monument.”
“Alain Delon has played legendary roles and made the world dream,” he wrote. “Melancholic, popular, secretive, he was more than a star.”
Delon’s children announced the death on Sunday in a statement to French national news agency Agence France-Presse, a common practice in France. Tributes to Delon immediately started pouring in on social platforms, and all leading French media switched to full-fledged coverage of his rich career.
Earlier this year, his son Anthony had said his father had been been diagnosed with B-cell lymphoma, a type of cancer.
Over the past year, Delon’s fragile health condition had been at the heart of a family dispute over his care that gave rise to bitter exchanges through the media among his three children.
At the prime of his career, in the 1960s and 1970s, Delon was sought out by some of the world’s top directors, from Luchino Visconti to Joseph Losey.
In his later years, Delon grew disillusioned with the movie industry, saying that money had killed the dream. “Money, commerce and television have wrecked the dream machine,” he wrote in a 2003 edition of newsweekly Le Nouvel Observateur. “My cinema is dead. And me, too.”
But he continued to work frequently, appearing in several TV movies in his 70s.
Delon’s presence was unforgettable, whether playing morally depraved heroes or romantic leading men. He first drew acclaim in 1960 with “Plein Soleil,” directed by Réne Clément, in which he played a murderer trying to take on the identity of his victims.
