Christopher Frierson wasn’t expecting to be tear-gassed at a recent protest in Brooklyn, but he’s glad his camera was on. The documentary filmmaker has…
Christopher Frierson wasn’t expecting to be tear-gassed at a recent protest in Brooklyn, but he’s glad his camera was on. The documentary filmmaker has covered many protests and he’s never experienced anything like he did that day when a thrown water bottle was met with that kind of police response.
Frierson was not deterred, however. In fact, he went back the next day to interview the officers who sprayed him and the others in the crowd.
He’s one of a handful of documentarians, from Steve James (“Hoop Dreams”) to Alexandra Pelosi (“Outside the Bubble”), who have brought out their cameras to capture the historic nationwide protests, despite the danger, the pandemic and even the lack of a plan for how to ultimately use the footage.
“When there is something happening in your environment, you have to shoot it,” said Frierson, whose “Don’t Try to Understand: A Year in the Life of Earl ‘DMX’ Simmons” was supposed to premiere this spring. “If you have a camera, you got to shoot it.”
That was James’ thought too. He had actually finished and debuted a few episodes of “City So Real,” a mosaic of present-day Chicago, at the Sundance Film Festival a few months earlier but re-started filming when the pandemic began. He thought maybe a postscript would be useful. When the unrest erupted after George Floyd’s death, he pivoted again.
His son, Jackson James, a cinematographer on the series, has been shooting some of the protests there. James has also been out, although not as much as he’d like, and doing more interviews remotely when possible.
“I’m being very careful about what takes us out to film,” James said. “Normally I would have been out doing a lot more.
