Owen Gleiberman on how the critical kneecapping given to the P. T. Barnum musical says more about the critics than it does about the movie.
I just got back from seeing “The Greatest Showman” a second time, and found it to be every bit as enthralling as I did the first time — in some ways, even more so. It’s an enraptured, live-wire, old-school-with-a-kustom-makeover retro musical that takes you back to the feeling you had as a kid the first […]
