This sleek, languorous anatomy of a heist is the filmmaker’s most extreme exercise yet in painstaking genre deceleration.
If you’re out to criticize “Dragged Across Concrete,” the latest supersized exploitation opus from writer-director S. Craig Zahler, on charges of gratuitously provocative violence, misogyny, racial discourse or the mere presence of right-wing firebrand Mel Gibson in the lead, know that the film issues a preemptive retaliation in its own script. “I don’t politick and […]
