“Technology shouldn’t dictate the way you want to shoot… It’s all about your imagination,” says lenser.
Bruno Delbonnel, celebrated for his painterly work capturing the brooding WWII-era political intrigue “Darkest Hour” for Joe Wright, and for the wonder world he filmed in 2001’s “Amelie,” is known for breaking conventions. He uses the sun as backlight and works to employ deep shadows into the atmosphere of his subjects. Screening “The Ballad of […]
