Home United States USA — Music Country music reckons with racial stereotypes and its future

Country music reckons with racial stereotypes and its future

371
0
SHARE

Nashville, Tenn. – When country singer Rissi Palmer was working on her debut album, she wanted a song like Gretchen Wilson’s “Redneck Woman,” a…
Nashville, Tenn. – When country singer Rissi Palmer was working on her debut album, she wanted a song like Gretchen Wilson’s “Redneck Woman,” a song that would introduce her and tell her story to fans.
On her 2007 debut single, “Country Girl,” she celebrated her country roots while explaining that she didn’t have to look or talk a certain way to call herself a country girl.
“I said that I am not white in the first verse, and the label was like, ‘No, no, no,’” said Palmer, who then rewrote the lyrics to make it feel more universal. “It was very intentional when I wrote that song to talk about all the women, or all the people, that might not necessarily fit in the box, but are still of the same mindset.”
The country music industry has long been hesitant to address its long and complicated history with race, but the death of George Floyd in police custody and the protests it sparked in the U. S. and around the world became a sound too loud for the genre to ignore.
Over the past weeks, country artists, labels and country music organizations posted about Black Lives Matter on social media, participated in the industry wide Blackout Tuesday or denounced racism outright. On Thursday, Grammy-winning country group, The Dixie Chicks announced it would drop “dixie’’ from its name. The group said in a statement that it wanted to meet “this moment.”
But Black artists say the industry still needs to address the systematic racial barriers that have been entrenched in country music for decades. Stereotypes that country music is just for white audiences, written by white songwriters, and sung by mostly white males are reinforced daily on country radio, playlists, label rosters and tour lineups. In recent years, however, the conversations about country music have shifted to a broader acknowledgment that non-white artists have always been in the genre, even if they aren’t always recognized.
Artist/scholar Rhiannon Giddens received a MacArthur Foundation grant for her work to reclaim Black contributions to country and folk music. And artists like Darius Rucker, Kane Brown and Jimmie Allen have all had No. 1 country hits in recent years, while Mickey Guyton just released an unflinching song called “Black Like Me.” But that ingrained culture of exclusivity remains a struggle to change.
“You can look at the reviews of my first album. I was called colored, like, ‘I didn’t know colored people like country music,’” said Palmer, who had three singles reach the Hot Country Songs Chart. “I used to get messages all the time on MySpace, saying, ‘I am so sick of you. Why are you trying to be white?’ or ‘Why are you trying to take over country music?’”
Change hasn’t been easy.

Continue reading...