Owen Gleiberman on how the box-office grosses for ‚Solo‘ have a meaning beyond financial failure.
Is there a poetic meaning to box-office grosses? That sounds like a silly question, but I’m serious. Is there a value and a karma to the numbers beyond the obvious value, which is that movies need to make money, preferably a lot of it? (They’re too expensive to exist otherwise.) Blockbusters cost a fortune, both to […]
