A select group of entertainers can round out their trophy cases with a competitive win from the Television Academy
The EGOT — an acronym for Emmy, Grammy, Oscar, Tony — is among the greatest and most elusive honors in entertainment. These stars are (or were) close to achieving it.
Henry Fonda, actor (1905-82) Grammy: Best Spoken Word Album, „Great Documents“ (1977) Oscar: Best Actor, „On Golden Pond“ (1981) Tony: Best Actor, „Mister Roberts“ (1948); Best Actor, „Clarence Darrow“ (1975)
Elton John, composer and musician (1947-) Grammy: Best Pop Performance by a Duo or Group, „That’s What Friends Are For“ (1986); Best Instrumental Composition, „Basque“ (1991); Best Male Pop Vocal Performance, „Can You Feel the Love Tonight“ (1994); Best Male Pop Vocal Performance, „Candle in the Wind“ (1997); Best Show Album, „Aida“ (2000) Oscar: Best Original Son, „Can You Feel the Love Tonight“ from „The Lion King“ (1994) Tony: Best Score, „Aida“ (2000)
Oscar Hammerstein II, lyricist and producer (1895-1960) Grammy: Best Original Cast Album, „The Sound of Music“ (1960) Oscar: Best Original Song, „The Last Time I Saw Paris“ from „Lady Be Good“ (1941); „It Might As Well Be Spring“ from „State Fair“ (1945) Tony: Three awards for „South Pacific“ (1950); Best Musical, „The King and I“ (1952); Best Musical, „The Sound of Music“ (1960)
Stephen Sondheim, composer and lyricist (1930-) Grammy: Best Show Album, „Company“ (1970); Best Show Album, „A Little Night Music“ (1973); Song of the Year, „Send in the Clowns“ (1975); Best Show Album, „Sweeney Todd“ (1979); Best Show Album, „Sunday in the Park With George“ (1984); Best Cast Show Album, „Into the Woods“ (1988); Best Show Album, „Passion“ (1994); Oscar: Best Original Song, „Sooner Or Later (I Always Get My Man)“ from „Dick Tracy“ (1990) Tony: Best Musical, „A Funny Thing Happened on the Way to the Forum,“ (1963); Best Score and Best Lyrics, „Company“ (1971); Best Score, „Follies“ (1972); Best Score, „A Little Night Music“ (1973); Best Score, „Sweeney Todd“ (1979); Best Score, „Into the Woods“ (1988); Best Score, „Passion“ (1994)
Alan Jay Lerner, lyricist and writer (1918-86) Grammy: Best Original Cast Album, „On a Clear Day“ (1965) Oscar: Best Original Screenplay, „An American in Paris“ (1951); Best Adapted Screenplay and Best Original Song, „Gigi“ (1958) Tony: Best Musical, „My Fair Lady“ (1957); Best Original Score, „Gigi“ (1974)
Andrew Lloyd Webber, composer (1948-) Grammy: Best Cast Album, „Evita“ (1980); Best Cast Album, „Cats“ (1983); Best Contemporary Composition, „Lloyd Webber: Requiem“ (1985) Oscar: Best Original Song, „You Must Love Me“ from „Evita“ (1986) Tony: Best Score, „Evita“ (1980); Best Score, „Cats“ (1983); Best Score, „Sunset Boulevard“ (1995)
Tim Rice, lyricist (1944-) Grammy: Best Cast Album, „Evita“ (1980); Song of the Year and Song for Film or TV, „A Whole New World“ (1993); Best Album for Children, „Aladdin“ (1993); Best Cast Album, „Aida“ (2000) Oscar: Best Original Song, „A Whole New World“ from „Aladdin“ (1992); „Can You Feel the Love Tonight“ from „The Lion King“ (1994); „You Must Love Me“ from „Evita“ (1996) Tony: Best Book and Best Score, „Evita“ (1980); Best Score, „Aida“ (2000)
Frank Loesser, composer (1910-69)Grammy: Best Cast Album, „How to Succeed…“ (1961) Oscar: Best Song, „Baby, It’s Cold Outside“ from „Neptune’s Daughter“ (1949) Tony: Best Musical, „Guys and Dolls“ (1951); Best Musical, „How to Succeed…“ (1962)
Alan Menken, composer (1949-) Grammy: Best Recording for Children and Song for TV or Film, „The Little Mermaid“ (1990); Best Recording for Children, Song for TV or Film, Instrumental for TV or Film, „Beauty and the Beast“ (1992); Song of the Year, „A Whole New World,“ Best Recording for Children, Song for TV or Film, Instrumental for TV or Film, „Aladdin“ (1993); Best Song for TV or Film, „Colors of the Wind“ (1995); Best Song for Visual Medium, „I See the Light“ (2011) Oscar: Best Score and Song, „The Little Mermaid“ (1989); Best Score and Song, „Beauty and the Beast“ (1991); Best Score and Song, „Aladdin“ (1992); Best Score and Song, „Pocahontas“ (1995) Tony: Best Score, „Newsies“ (2012)
Jule Styne, composer and songwriter (1905-94) Grammy: Best Cast Album, „Funny Girl“ (1964) Oscar: Best Song, „Three Coins in the Fountain“ (1954) Tony: Best Musical and Best Score, „Hallelujah Baby“ (1968)
John Legend, songwriter and producer (1978-) Grammy: Best New Artist (2005); Best R&B Album, „Get Lifted“ (2005); Best R&B Vocal, „Ordinary People“ (2005); Best Male R&B Vocal, „Heaven“ (2006); Best R&B Duo or Group, „Family Affair“ (2006); Best R&B Vocal or Group, „Stay With Me by the Sea“ (2008); Best R&B Album, „Wake Up!“ (2010); Best R&B Song, „Shine“ (2010); Best R&B Vocal, „Hang On in There“ (2010); Best Song Written for Visual Medium, „Glory“ (2015) Oscar: Best Original Song, „Glory“ from „Selma (2014) Tony: Producer of Best Play Revival, „August Wilson’s Jitney“ (2017)
Benj Pasek and Justin Paul, composers (both 1985 -) Grammy: Best Musical Theater Album, „Dear Evan Hansen“ (2018) Oscar: Best Original Song, „La La Land“ (2017) Tony: Best Original Score, „Dear Evan Hansen“ (2017)
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