Actress Lee Na-young impresses as a North Korean woman tracked down by her long-since-abandoned son in Jéro Yun’s unhappy debut feature.
There is, at most, one beautiful day contained in Korean director Jéro Yun’s “Beautiful Days,” whose ironic title refers to a kind of false nostalgia for a family bliss never experienced by any of its characters. That’s not to say the film is a miserabilist chore exactly, though it very nearly could have been, had […]
