It can be overwhelming to navigate Hulu’s robust library of TV shows. This list is continually updated to reflect the most current offerings for streaming.
Last update: July 4,2020.
Streaming TV is not a new concept, but its popularity is at an all-time high. Thanks to the wonder of on-demand viewing, fans of most TV series need not worry about catching their favorite show when it airs or even setting up their DVR. To help you sort through the massive vault that is Hulu’s library, we’ve put together a list of the best shows on the streaming service for July. From comedies to animated classics, we cover it all.
The effort to ratify the Equal Rights Amendment (ERA) was one of the central battlegrounds of the women’s movement in the 1970s. Mrs. America chronicles that fight and the unexpected backlash brought by Phyllis Schlafly (Cate Blanchett), dubbed “the sweetheart of the silent majority.” Told through the eyes of Schlafly and second-wave feminists Gloria Steinem, Betty Friedan, Shirley Chisholm, Bella Abzug, and Jill Ruckelshaus, Mrs. America is a political drama that adroitly plays both sides of the aisle, depicting one of the toughest political battles of the 20th century. The series explores how this fight helped give rise to the Moral Majority and completely shifted the American political landscape.
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Life is tough for small business owners, but if your business is struggling, there’s one man you can turn to for help: Nathan Fielder (playing a fictional version of himself), a consultant with a metaphorical briefcase full of bizarre marketing ideas and social anxiety. When an ordinary business owner finds themselves in a tricky situation, Fielder strolls into their lives like an awkward Rumpelstiltskin, ready to solve their problem in some bizarre way. Nathan for You is a brilliant mockumentary, with Fielder’s outlandish marketing stunts confusing the ordinary folk entangled in them — his parody coffee shop Dumb Starbucks even made international news!
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Set in the remote, rural town of Letterkenny (populated, the show tells us, entirely by hicks, skids, hockey players, and Christians), Jared Keeso’s comedy Letterkenny follows a group of hicks: Wayne (Keeso), his friend Daryl (Nathan Dales), Katy (Michelle Mylett), and Squirrelly Dan (K. Trevor Wilson), as well as a pair of hockey players, Reilly (Dylan Playfair) and Jonesy (Andrew Herr), with whom Katy has a three-way relationship. The show revolves around their lives and encounters with the other eccentrics in the town. It’s a show deeply rooted in Canadian culture, with heavy use of slang, but even those unfamiliar with the vernacular will quickly come to appreciate the show’s deadpan wit.
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Adapting a great work of literature, particularly one as stylish as Joseph Heller’s Catch-22, is a daunting task, but George Clooney and company managed to do it, more or less successfully, in this six-part miniseries. Set during World War II, Catch-22 follows Capt. Yossarian (Christopher Abbott), an American bombardier desperate to get out of the war. He wants to take advantage of the military’s policy of discharging any soldier on the basis of insanity. Unfortunately, Yossarian’s desire to get discharged for insanity is stifled by the military’s Catch-22 clause: Anyone who is crazy can ask to be discharged, but anyone asking to be discharged is clearly thinking rationally. So Yossarian keeps flying missions, and his superiors keep raising the number of missions required to end the war, and the war seems no closer to ending. Catch-22 is a darkly hilarious examination of the horrors of bureaucracy (and war), with a brilliant cast including — along with Abbott — George Clooney, Kyle Chandler, Hugh Laurie, and Julie Ann Emery.
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The streaming world is awash in introspective, character-driven comedies, and while Ramy’s format will feel familiar, it adds a new wrinkle. The eponymous character (played by comedian Ramy Youssef) isn’t just a millennial dealing with the awkward ups and downs of work and dating in the 21st century. He’s also Muslim trying to lead a moral life in amoral times. Ramy wades in ambiguities and its protagonist’s hypocrisies and hang-ups; for instance, he’s uncomfortable kissing a Muslim woman on their first date, but fine hooking up with non-Muslims, for which the former chews him out. It’s a show with a unique perspective and a willingness to present its characters in an unflattering light.
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Adult Swim’s long-running (the series has been running off and on since 2003) dark comedy The Venture Bros. is a hilarious, occasionally depressing exploration of failure and legacies, set in a world full of colorful characters. Originally built as a parody of ‘60s adventure shows like Jonny Quest, The Venture Bros. focuses on Dr. Rusty Venture (James Urbaniak), a once-famous boy adventurer who grew up to be a failed scientist and owner of his father’s company, as well as his two sons, Hank (Christopher McCulloch) and Dean (Michael Sinterniklaas), and their bodyguard, secret agent/bulky murder machine Brock Samson (Patrick Warburton). The show follows the family through various adventures and schemes, flitting through various genres and story structures. The humor is weird but often brilliant — one particularly strange episode reimagines the Scooby gang as a bunch of drug-addled fiends — but what truly stands out about the show is how it has built a vast world full of recurring, oddball characters whose relationships evolve over time.
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Donald Glover is a modern Renaissance man: Since launching a comedy career via skits circulated on YouTube, he has since branched into rapping, acting, and even showrunning, with the remarkable, surreal comedy-drama Atlanta. The show follows a dogged college dropout named Earn (Glover), who sleeps at his on/off-again girlfriend’s place and struggles to provide for their child. When he learns that his cousin Alfred is starting to achieve success as a rapper — stage name: Paper Boi — Earn becomes his manager. There is not much of an overarching plot to Atlanta. Most episodes play out like short films, and the show experiments with a variety of stories and formats — one standout episode is presented entirely as an episode of a local interview show, complete with fake commercials. Daring and frequently poignant, Atlanta is one of the most exciting shows on TV today.
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Desiree Akhavan’s The Bisexual is a character study of a bisexual woman, Leila (Akhavan), who breaks up with her older girlfriend after the latter proposes marriage. Leila moves in with a writer, Gabe (Brian Gleeson), and sets about trying to explore relationships with men, with sometimes awkward results. Leila must navigate not just relationships with men, but her friendships with the lesbian women she’s spent years associating with, who aren’t sure what to make of her now. It’s a complicated, emotionally honest examination of sexuality, with a complex cast of characters and a deft balance of humor of drama.
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These days, coming-of-age stories are a dime a dozen, but few of them are as novel — or cringeworthy — as PEN15. Co-creators Maya Erskine and Anna Konkle star as 13-year-old versions of themselves, allowing the series to address topics and situations many would consider taboo if performed by younger lead actors. The two find their footing in hormone-fueled incidents involving masturbation and AOL Instant Messenger, not to mention everyday encounters with parents, principals, and the kind of insult-spewing preteens you can expect to find at any middle school. It’s all served with a heavy dose of ’90s-inspired nostalgia, meaning if the show’s no-holds-barred look at adolescence isn’t enough, perhaps the constant references to the Spice Girls will be.
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The age of the subversive sitcom continues with Better Things, a dark, caustic comedy about growing older and raising kids. The show follows Sam Fox (Pamela Adlon), a struggling actress raising three kids by herself in Los Angeles. Sam juggles her attempts to advance her career and have fun with her responsibility to her daughters, each of whom presents their own unique difficulties. Adlon and co-creator Louis C. K. (who is no longer involved) previously worked on the surreal comedy-drama Louie, and Better Things shows a similar mean streak, narrowing in on the grimy, depressing aspects of parenthood that other sitcoms gloss over.
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Most people probably don’t consider the end of the world to be a hilarious scenario; thankfully, the creators of The Last Man on Earth were not deterred. The show finds humor in the apocalypse, following a man named Phil Miller (Will Forte), who wanders the ghost town of Tucson after a viral outbreak destroys civilization. He eventually finds a companion, Carol Pilbasian (Kristen Schaal), but their personality quirks make life together problematic, to say the least. The Last Man on Earth is a strange show, and also a sharply written one, rendering it the kind of ambitious sitcom that only rarely comes along.
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Comedian Aidy Bryant is arguably one of the best things about the current crop of Saturday Night Live performers. As such, it was only a matter of time before she found herself a proper show, one that riffs on her particular skill set and brand of humor. Shrill is that show. It’s based on author Lindy West’s 2016 memoir of the same name and is a biting take on what it means to be overweight, awkward, and a woman in a society that doesn’t always take kindly to any of the aforementioned traits. Needless to say, Bryant’s on-screen career as a struggling journalist is just the springboard for the show’s larger commentary.
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Great sketch shows have been in short supply for a while now, which makes it all the easier to appreciate the short but brilliant life of Key & Peele. Starring former MADtv members Keegan-Michael Key and Jordan Peele, the show is an adventurous collection of sketches that blend absurdist humor and social commentary. See, for example, a skit in which white news anchors complain about the dangers of “black ice” on the streets at night, to the indignation of their black colleagues. Not every sketch is political, however; sometimes they just freak out about the latest Liam Neeson film. Both hosts bring manic energy and throw themselves fully into a variety of roles.
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A Hulu Original from Rick and Morty creator Justin Roiland, Solar Opposites follows a team of four aliens after they escape their home world only to crash into a move-in ready home in suburban America. They genuinely can’t decide if Earth is awesome or terrible. Korvo (Roiland) and Yumyulack (Sean Giambrone) bemoan pollution, consumerism, and human frailty, while Terry (Thomas Middleditch) and Jesse (Mary Mack) love TV, junk food, and fun stuff. They’ll have some time to come to a consensus as they protect the Pupa, a living supercomputer that will one day evolve into its true form, consume them, and terraform the Earth.
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What South Park is to late-night animation, It’s Always Sunny in Philadelphia is to sitcoms. Rob McElhenney, Glenn Howerton, and Charlie Day — who also created and write the show — star as three best friends who kind of hate each other, while Kaitlin Olson and Danny DeVito round out the cast as the infamous Dee and Frank.
