Shinobi: Art of Vengeance is a triumphant, combat-heavy side-scroller that shouldn’t be missed.
Shinobi: Art of Vengeance is an all-new side-scrolling action title from Streets of Rage 4 and Wonder Boy: The Dragon’s Trap developer Lizardcube. As someone who’s loved the dev’s previous works, I’m happy to say its take on Sega’s legendary Shinobi series is nothing short of a slam dunk.
The Lizardcube staples are all here. Sublime hand-drawn visuals, slick and responsive combat, and plenty of replay value after you’ve rolled credits. Art of Vengeance is a game that – much like Streets of Rage 4 before it – is maddeningly hard to stop playing.
Each and every stage offers a unique flavor, in terms of both setting and gimmicks. There are some light metroidvania elements, with opportunities to explore off the critical path for vital upgrades and abilities, but that’s (perhaps thankfully) not the main focus. Shinobi: Art of Vengeance is more linear than, say, a Hollow Knight or a Metroid Dread, and that’s no bad thing.
The bulk of gameplay here, then, is a careful mix of platforming, light puzzle-solving, and that oh-so moreish combat, which quite honestly is some of the best-feeling and most satisfying I’ve had the pleasure of playing in a side-scroller in a long while. It mixes Shinobi staples like throwing kunai and powerful Ninpo spells with combo-happy melee combat that constantly thrills, especially in boss fights and optional challenges.
While Shinobi 3: Return of the Ninja Master will likely always be my favorite game in the series, Shinobi: Art of Vengeance can absolutely be mentioned in the same breath as that Sega Mega Drive classic.A-to-Z of vengeance
Shinobi: Art of Vengeance puts players back in the role of series protagonist Joe Musashi, head of the Oboro ninja clan. The game’s subtitle is adequately portrayed in its opening chapters, as a powerful warlord named Ruse and his ENE Corp forces raze the clan’s village to ashes and wipe out just about everyone, save Musashi himself. Thus does his road to vengeance begin.
The plot is thin, but accomplishes what it sets out to do, taking a backseat to the action. Some cutscenes and fully-voiced interludes between stages add a good amount of flavor, but certainly don’t overstay their welcome. Musashi only communicates in vaguely threatening grunts, which leads to the odd bit of humor as other characters attempt to get the gist of what he’s saying.
If this is your first exposure to the Shinobi series, you might be surprised by its futuristic setting.
