Delightfully shaggy and low-budget, this cheeky indie marries song, dance, the undead, and the holidays
We’re accustomed to horror movies using creativity and artistry to cover up their low budgets; a filmmaker can create plenty of scares with one set and a cast of four. The low-budget musical, on the other hand, is expected to provide splashy razzle-dazzle and grandeur with the same economy of means, and it’s a tougher genre to make succeed on a dime. That said, if you’re willing to overlook a little scruffiness at the edges, it’s a Christmas miracle that the Scottish import “Anna and the Apocalypse” works so well as both a horror movie and a musical.
And “Christmas miracle” should be taken literally, because this is a holiday movie as well. And if you don’t think the undead mix well with musical numbers and gaudy Yuletide decor, “Anna” might be the movie to change your mind.
It’s a film that the protagonist of “Heathers” might call “teen angst with a body count”: High-school senior Anna (Ella Hunt), mourning the death of her mother, has put off telling her father, Tony (Mark Benton, “Eddie the Eagle”), that she wants to go to Australia rather than heading directly to university. Anna’s best pal John (Malcolm Cumming) pines for her despite those feelings not being reciprocal. Newspaper editor Steph (Sarah Swire, who also choreographs) has been dumped by her girlfriend and abandoned by her vacationing parents for the holidays.
Also Read: Zombie Musical ‚Anna and the Apocalypse‘ Marks Orion Pictures‘ First Acquisition Since Relaunch
All these mini-dramas get shoved to the background, of course, when the zombies emerge.
