For award-winning actress and fierce LGBTQ ally Patti LuPone it all starts with the costume. “I love costumes,” she says. “I love to wear them and I love to use them. I’ve been very fortunate in my career that I’ve had incredible costumes on my body.” In fact, the legendary chanteuse says that costume fittings…
For award-winning actress and fierce LGBTQ ally Patti LuPone it all starts with the costume.
“I love costumes,” she says. “I love to wear them and I love to use them. I’ve been very fortunate in my career that I’ve had incredible costumes on my body.”
In fact, the legendary chanteuse says that costume fittings are an essential part of her rehearsal process.
“A good costume designer can help you define character. It all starts with the shoes. They determine how the character walks.”
She says everything else flows from there.
Glamorous costumes certainly set the mood for LuPone’s current television project. She’s starring in “Hollywood,” the latest series from gay television mogul Ryan Murphy. She plays Avis Amberg, the unhappy wife of studio executive Ace Amberg. When Avis unexpectedly assumes control of Ace Studios, she turns Tinseltown on its head and greenlights the controversial movie “Meg.”
LuPone says the series asks the question “what if?” What if you could change history? What if things were done differently in Hollywood? What would it look like if women and people of color and members of the LGBTQ community could work openly and tell the stories they wanted to tell?
“It’s also a throwback to an extremely glamorous time in Hollywood with all of its gorgeousness and foibles,” LuPone says by phone. “I don’t want to give anything away, but I will say there is a happy ending.”
LuPone was of course thrilled at the chance to wear shimmering costumes from the Golden Age of Tinseltown.
“I get to look great,” she says. “When I went to the costume fittings I was in heaven. I was ravenous. When someone puts you in hats and gloves and furs and tailored clothes that are incredibly well-made you just behave differently. Sarah Evelyn did an extraordinary job with the costumes. There’s just stunning clothes for all of us.”
LuPone was especially excited that half of the costumes seen on screen were vintage.
“The workmanship was exquisite,” she says. “It’s amazing that these clothes are still wearable. Now there’s no quality control. You can buy a jacket for $10,000 and it falls apart on you.”
LuPone also says the excellent writing staff helped her slide into the character of Avis.
“I just fell into it,” she says. “I didn’t feel like I had to struggle with the part even though I’m not in any way like her. I’m not married to a studio head. I’m very happily married. I don’t have any of the concerns this woman had, but it felt very natural for me. When it’s good writing your job is done for you, and this is good writing.”
The iconoclastic LuPone, who just celebrated her 71st birthday, also appreciates that Avis is a rule-breaker who shatters traditional Hollywood stereotypes about older women.
“Avis has unbelievable freedom,” LuPone says.
Avis is proudly and forthrightly sexual and also supports other women instead of tearing them down.
For example, in her first moments onscreen, Avis hires the services of call boy/aspiring actor Jack Castello (David Corenswet) and the two enjoy a steamy tryst at the Beverly Hills Hotel. Later, Avis helps veteran studio executive Ellen Kincaid (Holland Taylor) break out of the romantic mire she’s stuck in and casts “over-the-hill” starlet Jeanne Crandall (Mira Sorvino) in a leading romantic role.
“Avis can break the norms because she’s in a powerful position,” LuPone says.
