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Were Taylor Swift’s Grammy Losses Snubs Or Justified?

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Taylor has been nominated 42 times, but only won 11 awards. What happened with those other 31 times?
It’s no secret that the Recording Academy looks favorable on Taylor Swift. Is it because she deserves it? Absolutely yes. But let’s be honest, the Grammys are so fickle, and have such a strange track record when it comes to their winner picks that fans can have quite a discussion reflecting on back on wins and losses, with the test of time as a barometer for their fairness. Since she came onto the scene back in 2006 with Taylor Swift, the singer-songwriter has been nominated a whopping 42 times (!) Out of those nominations, she’s won 11 Grammys so far, including three for the coveted Album Of The Year award, becoming the only woman who has ever done that in 2021. So, since Taylor’s only won about 1/4th of her nominations (keeping in mind the potential 2022 wins haven’t been added yet), which of those losses were justifiable, where she was beaten out by another strong contender, and which were outright snubs that Swiftian scholars all sagely agree she should’ve won? That’s exactly what this list is going to set the record straight on, going through every single nomination from each year one by one. Read on, Swiftie, and see whether you agree or disagree with my judgments. Verdict: Lost to Amy Winehouse Snub or Justified: Justified While the Recording Academy might’ve ignored Taylor’s debut self-titled, two years later, they were definitely aware of her growing potential. Taylor was nominated in this category along with future powerhouses like Amy Winehouse, Feist, and Paramore. Amy winning is a justified victory, though, and not a snub of Taylor at all. Actually, in retrospect, it’s nice that Winehouse earned this honor before her untimely death. Nomination: “You Belong With Me” for Record Of The Year Verdict: Lost to “Use Somebody” by Kings Of Leon Snub or Justified: Justified This might be an unpopular opinion, but I think “Use Somebody” is absolutely an all-time banger. It’s hard for me to ride for “You Belong With Me” over this tune, though I’m very tempted to suggest that “Love Story” or even “White Horse” would’ve had a much better shot. Nomination: “You Belong With Me” for Song Of The Year Verdict: Lost to Beyonce’s “Single Ladies” Snub or Justified: Justified After Kanye’s mind-boggled response to Taylor besting Beyonce in a battle between these two songs at the 2009 VMAs, it was probably the safer choice for the Grammys to pick Bey. And let’s face it, “Single Ladies” is an iconic bit of pop culture that will be enshrined forever because of the dance alone, and “You Belong With Me” has become one of the far lesser songs in the Taylor canon. The Grammys got this right. Nomination: “You Belong With Me” for Best Female Pop Vocal Performance Verdict: Lost to “Halo” by Beyonce Snub or Justified: Justified Well, “Halo” is just a better song in this case. And since Beyonce lost out on the Album Of The Year award — an honor she’s still never won — this feels something like a consolation prize. Nomination: “Breathe” (with Colbie Caillat) for Best Pop Collaboration With Vocals Verdict: Lost to “Lucky” by Jason Mraz and Colbie Caillat Snub or Justified: Justified Colbie Caillat was having a massive moment at that time, so she deserved to win off one of her nominations, and “Lucky” deserved the nod over her song with Tay. Nomination: Speak Now for Best Country Album Verdict: Lost to Uncaged by Zac Brown Band Snub or Justified: MASSIVE SNUB There’s a large faction of Swifites who swear up and down that Speak Now is Taylor’s best album, and honestly, I really see their point. We have “Sparks Fly,” “Back To December,” “Speak Now,” “Mean,” “The Story Of Us,” “Enchanted,” “Long Live” — the list goes on. So many absolute classics that illustrate Taylor’s songwriting at the top of her craft. And can anyone name a single song off this random Zac Brown album? This isn’t even the one with “Chicken Fried.” The only thing I will say in defense of the Recording Academy is that Speak Now definitely doesn’t feel very country, so maybe that was part of it.

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