Keep those Android thumbs busy
While the ‘free-to-play’ market has taken a bit of a beating of late due to gamers falling out of love with the use of in-app payments, the world of mobile gaming is still an exciting one.
Whether you want games that will just last the length of a commute, or want to be lost in a port of GTA where you spend hours mowing down pedestrians and making money out of murder, there is a game on here for you.
This constantly updated list is a mixture of free and paid for games, and also that one in between – some in-app payments honestly aren’t really that bad. If by the end you think we have missed something special off of the list, let us know and we will see if it is worthy of inclusion further down the line.
Of course we properly play each game we test – so you can have confidence in our selection.
In stills, Causality resembles a run-of-the-mill puzzler that’d be easy to dismiss. But it’s in fact an Android gem – a terrifically clever game that messes around with time travel… and your head.
The aim is to get each spaceman to an exit that matches the color on their helmet. They automatically run, and so must be guided using arrow tiles, while also dealing with buttons, switches, and hazards, like mysterious shadowy spacemen that devour anyone they touch.
Portals complicate matters further, flinging spacemen through time so they can assist their earlier selves. It takes a while to grasp the nuances of this concept, but Causality lets you experiment, moving back and forth through time until you find a solution to any given problem, whilst quietly grumbling that, if anything, that bloke in Doctor Who has it easy.
Harking back to classic side-on platformers, Traps n’ Gemstones dumps an Indiana Jones wannabe into a massive pyramid, filled with mummies, spiders and traps; from here he must figure out how to steal all the bling, uncover all the secrets, and then finally escape.
Beyond having you leap about, grab diamonds, and keep indigenous explorer-killing critters at bay, Traps n’ Gemstones is keen to have you explore. Work your way deeper into the pyramid and you’ll find objects that when placed somewhere specific open up new pathways.
But although this one’s happy to hurl you back to gaming’s halcyon days, it’s a mite kinder to newcomers than the games that inspired it.
Get killed and you can carry on from where you left off. More of a hardcore player? Death wipes your score, so to doff your fedora in a truly smug manner, you’ll have to complete the entire thing without falling to the game’s difficult challenges.
There’s more than a hint of Zelda about Oceanhorn , but that’s not a bad thing when it means embarking on one of the finest arcade adventures on mobile.
You awake to find a letter from your father, who it turns out has gone from your life. You’re merely left with his notebook and a necklace. Thanks, Dad!
Being that this is a videogame, you reason it’s time to get questy, exploring the islands of the Uncharted Seas, chatting with folks, stabbing hostile wildlife, uncovering secrets and mysteries, and trying very hard to not get killed.
You get a chapter for free, to test how the game works on your device (its visual clout means fairly powerful Android devices are recommended); a single IAP unlocks the rest. The entire quest takes a dozen hours or so – which will likely be some of the best gaming you’ll experience on Android.
Pinball games rarely look as good as the tables in Atomic Pinball Collection. And, fortunately, this pair of beauties plays wonderfully as well. In Masks of Glory, you get a colorful, fast, ramp-laden table that finds you as an underdog wrestling your way to glory. In Revenge of the Rob-O-Bot, you face off against an angry giant droid laying waste to a city.
The pinball is closer in nature to traditional fare than the fantastical offerings found in the likes of Zen Pinball – you feel Atomic’s tables could exist in real life. And that’s even more apparent when you start noticing details such as slightly worn components and missing flecks of paint.
Still not convinced? You can download the entire thing for free, only paying up when you hit a million points on either table.
Some people argue programming is perhaps the best ‘game’ of all – and a brilliant puzzle. Those might be people you’d sooner avoid at parties, but Human Resource Machine suggests they could have a point. In this compelling and unique puzzle game, you control the actions of a worker drone by way of programming-like sequences.
The premise is to complete tasks by converting items in your inbox to whatever’s required in the outbox – for example, only sending zeroes. Like much programming, success often relies on logic, with you fashioning loops, and using actions such as ‘jump’, ‘if’ statements, and ‘copy’. These are arranged via drag and drop on a board at the right-hand side of the screen.
That might all sound impenetrable, but Human Resource Machine is in fact elegant, friendly, and approachable, not least due to developer Tomorrow Corporation’s penchant for infusing games with personality and heart.
Somewhat akin to The Room in space, _PRISM is all about manipulating floating mechanical geometric shapes, trying to get at the gem buried within.
Each of the structures before you is ridiculously intricate, with all manner of switches to flick, patterns to match, and components to twist and rotate. At any given moment, a seemingly innocuous action may entirely change the setup of what’s before you, unveiling further puzzles to wrap your head around.
Although we mentioned The Room earlier, _PRISM isn’t in the same league when it comes to difficulty.
Instead, _PRISM’s challenge is fairly slight, even if you sometimes require finger gymnastics in order to succeed. But its atmosphere and cleverly designed challenges make it well worth seeking out for puzzle fans – especially if you’ve a larger Android device to play on.
Coming across like a sandbox-oriented chill-out ‘zen’ take on seminal classic Boulder Dash, Captain Cowboy has your little space-faring hero exploring a massive handcrafted world peppered with walls, hero-squashing boulders, and plenty of bling.
Much like Boulder Dash, Captain Cowboy is mostly about not being crushed by massive rocks – you dig paths through dirt, aiming to strategically use boulders to take out threats rather than your own head. But everything here is played out without stress (due to endless continues) and sometimes in slow motion (when floating through zero-gravity sections of space).
The result feels very different from the title that inspired it, but it’s no less compelling. Tension is replaced by exploration, and single-screen arcade thrills are sacrificed for a longer game. As you dig deeper into Captain Cowboy’s world, there are plenty of things awaiting discovery, and even tackling the next screen of dirt and stones always proves enjoyable.
In the fantasy world of Solitairica , battles are fought to the death by way of cards. The foes barring the way to your quest’s goal set up walls of cards before them, which you smash through by matching those one higher or lower than the one you hold.
Then there are spells you cast by way of collected energies. Meanwhile, the creatures strike back with their own unique attacks, from strange worm-like beings nibbling your head, to grumpy forest dwellers making your cards grow beards.
In short, then, a modicum of fantasy role-playing wrapped around an entertaining and approachable card game. And on Android, you have the advantage of the game being free – a one-off IAP only figures if you want to avoid watching adverts, and have access to alternate decks to try your luck as a different character.
There’s a sweetness and a beauty about Samorost 3 that’s rare in a world of gaming so often obsessed with gore, blood, grittiness, and guns.
It features a little gnome trying to thwart the machinations of an evil wizard who largely obliterated a tiny universe with his steampunk dragon.
The gnome explores tiny planetoids, unearthing objects, interacting with the locals, and solving puzzles to move his quest towards a heroic conclusion.
Samorost 3 harks back to classic point-and-click fare. You tap about the place, and have your brain smashed out trying to find sometimes almost unreasonably obscure solutions.
But the magic here is in the lush visuals, lashings of personality (the little gnome bobbing about and gleefully punching the air during one music-oriented sequence), and gorgeous animations and audio that are integral to the entire production.
For a game that eventually pushes your observation skills, precision and nerve to breaking point, Linia is almost absurdly easy at first. At the top of the screen, you’re given a small selection of colors. The aim is to spear them in order, by slicing through shapes below.
This is simple enough when the shapes are static. It’s more than a tad tougher when the little blighters won’t stay still, or when they unsportingly evolve and mutate, doing everything they can to try and make you fail.
The end result is kind of a minimal, artistic, exactness-obsessed take on Fruit Ninja. And for our money, it’s an essential download – especially on devices with larger displays.
Anyone expecting the kind of free-roaming racing from the console versions of this title are going to be miffed, but Need for Speed: Most Wanted is nonetheless one of the finest games of its kind on Android. Yes, the tracks are linear, with only the odd shortcut, but the actual racing bit is superb.
You belt along the seedy streets of a drab, gray city, trying to win events that will boost your ego and reputation alike. Wins swell your coffers, enabling you to buy new vehicles for entering special events.
The game looks gorgeous on Android and has a high-octane soundtrack to urge you onwards. But mostly, this one’s about the controls – a slick combination of responsive tilt and effortless drifting that makes everything feel closer to OutRun 2 than typically sub-optimal mobile racing fare.
The original and best of the GO games, Hitman GO should never have worked. It reimagines the console stealth shooter as a dinky clockwork boardgame. Agent 47 scoots about, aiming to literally knock enemies off the board, and then reach and bump off his primary target.
Visually, it’s stunning – oddly adorable, but boasting the kind of clarity that’s essential for a game where a single wrong move could spell disaster. And the puzzles are well designed, too, with distinct objectives that often require multiple solutions to be found.
If you’re a fan of Agent 47’s exploits on consoles, you might be a bit nonplussed by Hitman GO, but despite its diorama stylings, it nonetheless manages to evoke some of the atmosphere and tension from the console titles, while also being entirely suited to mobile play.
A knowingly smart shooter, The Bug Butcher channels classic arcade titles but wraps everything up in a charming cartoon style, peppered with energetic, humorous dialogue.
The backstory is that you’re trying to ensure those few scientists that remain in an infested research facility aren’t eaten by whatever horrors they created. Mostly, this involves shooting said horrors, which often split apart.
You’ll also have to save any scientists grabbed by aliens who think they’re a tasty snack, while scooping up bonus weapons when you fancy unleashing quite a lot of projectile hell.
Do take a little care, though, if you’re using a larger Android device – the controls have a tendency to assume you have banana thumbs.
Based on cult web hit Gimme Friction Baby by Wouter Visser, Orbital has you fire orbs into a tiny galactic void. Each bounces, comes to rest, and expands until touching something else. If one crosses the danger line above your cannon, well, it’s game over.
It’s much harder to explain this game than to play it, but we’ll do our best. The screen rapidly fills, but you can obliterate existing orbs by firing others at them. During collisions, the numbers within static orbs decrease by one. Should any orb’s number hit zero, it explodes, the wake depleting nearby orbs.
See, we told you.
Density of explanation aside, this is a beautiful game of dazzling neon and increasing tension. Larger balls create huge explosions and the potential for combos and higher scores, but leave you less room to maneuver.
Varied modes test your timing (Pure’s oscillating gun), aim (Supernova’s manual cannon), and whether you’re Brian Cox (Gravity’s orbs that arc around those already on the screen).
You’ve got to love a game developer that figured it would be a smart move to mash together the swipe-based navigation from dating app Tinder and a strategy title about ruling a kingdom. The danger, perhaps, is Reigns could be seen as simple and throwaway – yet it’s anything but.
Sure, the basics are extremely straightforward: you deal with a never-ending stream of requests from your subjects by swiping left or right to respond. But your decisions affect how content the church, people, army, and treasury are. If any get too miffed (or even too happy), your reign comes to an abrupt end.
Cleverly, you then continue on as your heir, and Reigns’ true genius becomes apparent. While you can blithely swipe your way through the ages, there are missions to complete, solutions to which may only become apparent over a great many years. Want to beat the Devil? You’ll have a few centuries to prepare!
You have to feel for the little beastie in Badland 2. Having somehow survived all manner of horrors last time round, the winged critter is now hurled into an even deadlier circle of hell. As before, the aim is to reach an exit, avoiding traps such as massive saw-blades, bubbling magma, and flamethrowers belching toasty death in all directions.
There’s perhaps a lack of freshness in this sequel, despite such new tricks and a smattering of unfamiliar traps, but Badland 2 remains a visually stunning and relentlessly cruel arcade experience among the very best on Android. (Do, though, buy the IAP – the atmosphere and momentum is obliterated when ads appear.)
Adam Jensen is a man with a plan – and also quite a lot of cybernetic implants. The plan is to take down the bad guys – and the cybernetic implants go some way towards helping with that, enabling Jensen to remote-hack computer equipment as he makes his way round this angular turn-based take on the popular console series.
Rather than getting all first-person, Deus Ex GO plays out more like clockwork chess, as you move from node to node, activating switches, manipulating enemies, and trying very hard to not get horribly stabbed to death.
Like its forerunners, Hitman GO and Lara Croft GO, this puzzler surprisingly echoes much of the atmosphere of its console forebears; and while it perhaps lacks Hitman’s sheer audacity and Lara Croft’s elegance, the brain-bending puzzles still appeal.
One of the most exhilarating games on mobile, Impossible Road finds a featureless white ball barreling along a ribbon-like track that twists and turns into the distance. The aim is survival – and the more gates you pass through, the higher your score.
Once the physics click, however, you’ll figure out the risks you can take, how best to corner, and what to do when hurled into the air by a surprise bump in the road.
The game also rewards ‘cheats’. Leave the track, hurtle through space for a bit, and rejoin – you’ll get a score for your airborne antics, and no penalty for any gates missed. Don’t spend too long aloft though – a few seconds is enough for your ball to be absorbed into the surrounding nothingness.
It’s mundane existence meets WarioWare in Crap! I’m Broke: Out of Pocket , which finds a protagonist on the breadline having to earn cash by way of drudge-work minigames.
This might be a little too close to home for some, but Out of Pocket dresses everything up in an eye-catching angular art style and a kind of absurdity that makes everything breezy – if frantic – fun, even when washing dishes and flipping burgers.
In part, this is down to the novelty factor – the way in which you scrub plates by rubbing the screen, or tap burgers you hurl into the air. But with success hinging on careful management of your own food reserves, combined with efficiency and speed in the jobs you take on, Out of Pocket adds depth through sheer risk versus reward.
So this one proves immediately accessible, yet offers plenty of ongoing challenge to anyone wanting to keep cracking their high score.
There’s a disarmingly hypnotic and almost meditative quality to the early stages of Mini Metro. You sit before a blank underground map of a major metropolis, and drag out lines between stations that periodically appear.
Little trains then cart passengers about, automatically routing them to their stop, their very movements building a pleasing plinky plonky generative soundtrack.
As your underground grows, though, so does the tension. You’re forced to choose between upgrades, balance where trains run, and make swift adjustments to your lines. Should a station become overcrowded, your entire network is closed. (So…not very like the real world, then.)
Do well enough and you unlock new cities, with unique challenges. But even failure isn’t frustrating, and nor is the game’s repetitive nature a problem, given that Mini Metro is such a joy to play.
A massive upgrade over the developer’s own superb but broadly overlooked MegaCity , Concrete Jungle is a mash-up of puzzler, city management and deck builder.
The basics involve the strategic placement of buildings on a grid, with you aiming to rack up enough points to hit a row’s target. At that point, the row vanishes, and more building space scrolls into view.
Much of the strategy lies in clever use of cards, which affect nearby squares – a factory reduces the value of nearby land, for example, but an observatory boosts the local area. You quickly learn plonking down units without much thought messes up your future prospects.
Instead, you must plan in a chess-like manner – even more so when facing off against the computer opponent in brutally difficult head-to-head modes. But while Concrete Jungle is tough, it’s also fair – the more hours you put in, the better your chances. And it’s worth giving this modern classic plenty of your time.
There are varied mobile takes on limbless wonder Rayman’s platform gaming exploits. The 1995 original exists on Android in largely faithful form, but feels ill-suited to touchscreens; and Rayman Adventures dabbles in freemium to the point it leaves a bad taste.
But Rayman Jungle Run and Rayman Fiesta Run get things right.
They rethink console-oriented platformers as auto-runners – which might sound reductive. However, this is more about distillation and focus than outright simplification.
Tight level design and an emphasis on timing regarding when to jump, rebound and attack forces you to learn layouts and the perfect moment to trigger actions, in order to get the in-game bling you need to progress.
Both titles are sublime, but Fiesta Run is marginally the better of the two – a clever take on platforming that fizzes with energy, looks fantastic, and feels like it was made for Android rather than a 20-year-old console.
A decidedly dizzying take on platform games, Circa Infinity exists in a sparse world of concentric circles. Your little stick man scoots around the edge of the largest, and a prod of the action button when he’s atop a pizza-slice cut-out flips him inside the disc.
He can then make a leap for the bobbing circle within, at which point the process repeats.
Only the next disc may be patrolled by any number of critters intent on ejecting the stick man from their particular circle.
A few levels in and you might wonder whether klocki has taken the notion of a relaxing puzzle game a bit too far.
It’s easy almost to the point of being a sedative, merely having you swap tiles on a flat plane, in order to fashion complete pathways. But klocki is a smart cookie, very gradually introducing new concepts so slowly you barely notice; but pretty soon you find yourself immersed in rich and complex tests.
Later levels have you battle three-dimensional shapes, switches, and tiles that rotate; and despite the minimal aesthetic and noodly audio, it never really gets old. The game is, however, quite short – a few hours and you’ll probably be done.
Still, the low price-tag ensures klocki remains great value, especially if you take the time to savour its charms rather than blazing through its challenges at breakneck speed.
The Room is a series about mysteries within mysteries. It begins with a box. Fiddling with dials and switches causes things to spring to life elsewhere, and you soon find boxes within the boxes, layers unravelling before you; it’s the videogame equivalent of Russian dolls meets carpentry, as breathed into life by a crazed inventor.
The Room’s curious narrative and fragments of horror coalesce in follow-up The Room Two , which expands the ‘boxes’ into more varied environments – a séance room; a pirate ship. Movement remains restricted and on rails, but you’re afforded a touch more freedom as you navigate your way through a strange clockwork world.
The Room Three is the most expansive of them all, featuring intricate, clever puzzles, as you attempt to free yourself from The Craftsman and his island of deranged traps and trials.
Get all three games, and play them through in order, preferably in a dark room when rain’s pouring down outside for best effect. It’s a terrifying and – ultimately – infuriating experience that will have you toying with the idea of having to go online for walkthroughs until you finally crack the mystery.
There are some clues, but generally these are very gentle hints at best.
You might moan about trains when you’re again waiting for a late arrival during your daily commute, but think yourself lucky reality doesn’t match Train Conductor World. Here, trains rocket along, often towards nasty head-on collisions. It’s your job to drag out temporary bridges to avoid calamity while simultaneously sending each train to its proper destination.
From the off, Train Conductor World is demanding, and before long a kind of ‘blink and everything will be smashed to bits’ mentality pervades.
