“BlacKkKlansman,” which premiered in May at the Cannes Film Festival, is quintessential Spike Lee, impassioned and messy and vital as anything he’s done in…
“BlacKkKlansman,” which premiered in May at the Cannes Film Festival, is quintessential Spike Lee, impassioned and messy and vital as anything he’s done in decades.
It’s also far more accomplished a piece of filmmaking than many of Lee’s recent narrative films. Let’s face it, the director of “She’s Gotta Have It,” “Do the Right Thing” and “Malcolm X” has long been an iconic director, educator and activist, but films like “Red Hook Summer,” “Miracle at St. Anna,” “Oldboy” and even the spirited but uneven “Chi-Raq” just didn’t have the impact or the quality of his earlier films.
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