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Jimmy Buffett, Roguish Bard of Island Escapism, Is Dead at 76

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With songs like “Margaritaville” and “Fins,” he became a folk hero to fans known as Parrot Heads. He also became a millionaire hundreds of times over.
Jimmy Buffett, the singer, songwriter, author, sailor and entrepreneur whose roguish brand of island escapism on hits like “Margaritaville” and “Fins” made him something of a latter-day folk hero, especially among his devoted following of so-called Parrot Heads, died Saturday at 76. .
“Jimmy passed away peacefully on the night of September 1st surrounded by his family, friends, music and dogs,” a statement on Mr. Buffett’s website and social media said. “He lived his life like a song till the very last breath and will be missed beyond measure by so many.”
Peopled with pirates, smugglers, beach bums and barflies, Mr. Buffett’s genial, self-deprecating songs conjured a world of sun, saltwater and nonstop parties animated by the calypso country-rock of his limber Coral Reefer Band. His live shows abounded with singalong anthems and festive tropical iconography, making him a perennial draw on the summer concert circuit, where he built an ardent fan base akin to the Grateful Dead’s Dead Heads.
Mr. Buffett found success primarily with albums. He enjoyed only a few years on the pop singles chart, with “Margaritaville,” his 1977 breakthrough hit and only single to reach the pop Top 10.
“I blew out my flip-flop/Stepped on a pop-top/Cut my heel, had to cruise on back home,” he sang woozily to the song’s lilting Caribbean rhythms. “But there’s booze in the blender/And soon it will render/That frozen concoction that helps me hang on.”
Mr. Buffett’s music was often described as “Gulf and western,” a nod to his fusion of laid-back twang and island-themed lyrics, as well as a play on the conglomerate name Gulf and Western, the former parent of Paramount Pictures, among other companies.
His songs tended to be of two main types: wistful ballads like “Come Monday” and “A Pirate Looks at Forty,” and clever up-tempo numbers like “Cheeseburger in Paradise.” Some were both, like “Son of a Son of a Sailor,” a 1978 homage to Mr. Buffett’s seafaring grandfather, written with the producer Norbert Putnam.
“I’m just a son of a son, son of a son/
Son of a son of a sailor,” he sang. “The sea’s in my veins, my tradition remains/I’m just glad I don’t live in a trailer.”
The Caribbean and the Gulf Coast were Mr. Buffett’s muses, and nowhere more so than Key West in Florida. He first visited the island at the urging of Jerry Jeff Walker, his sometime songwriting and drinking partner, after a gig fell through in Miami in the early ’70s.
“When I found Key West and the Caribbean, I wasn’t really successful yet,” Mr. Buffett said in a 1989 interview with The . “But I found a lifestyle, and I knew that whatever I did would have to work around my lifestyle.”
The locales provided Mr. Buffett with more than just a breezy, sailing life and grist for his songwriting. They were also the impetus for the creation of a tropical-themed business empire that included a restaurant franchise, a hotel chain and boutique tequila, T-shirt and footwear lines, all of which made him a millionaire hundreds of times over.
“I’ve done a bit of smugglin’, and I’ve run my share of grass,” Mr. Buffett sang of his early days trafficking marijuana in the Florida Keys in “A Pirate Looks at Forty.”
“I made enough money to buy Miami,” he went on, alluding to his subsequent entrepreneurial pursuits.

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