The pop superstar follows up last year’s messy ‘The Tortured Poets Department’ with a tidy collaboration with Max Martin and Shellback.
After the mess, the mop-up.
That’s one way to understand Taylor Swift’s new album, “The Life of a Showgirl,” on which music’s biggest star offers up a dozen precision-cut pop songs just 18 months removed from last year’s sprawling and emotionally unstable “The Tortured Poets Department.”
That earlier LP, which contained 16 tracks before Swift expanded it with 15 more, was perhaps the most divisive of the singer’s two-decade-long career; it racked up bonkers sales and streaming numbers, of course — at this point, she’s truly too big to fail — but its mixed reception among tastemakers and even some fans seemed to rattle Swift, who for all her alertness to the brutality of being a woman in the public eye has become accustomed to a certain level of idolatry.
So here’s “Showgirl,” her 12th studio LP, for which she stepped away from her longtime creative partner Jack Antonoff to reteam with Max Martin and Shellback, the two hit-making Swedish producer-songwriters who helped her transition cleanly from country to pop in the mid-2010s with blockbuster albums like “Red” and “1989.” Swift has said she made the new album while roaming around Europe in the summer of 2024 on her record-obliterating Eras tour, which explains the title even as it begs all sorts of questions about her psychotic work ethic.
And let’s be clear: These three can craft a hook as neatly and as skillfully — as deviously, really — as anyone in the business.
