Owen Gleiberman on the real theme of Paul Thomas Anderson’s dark fashion-world romance — and why so many resist acknowledging it.
Readers often push back against something I’ve written, and I welcome the debate. If I don’t answer back, that’s because I feel like I’ve already had my say. (If you dive in to defend a point you’ve made in a movie review, it’s likely to sound…defensive.) So let me say right up front that I […]
