Home Blog Page 84983

Телеканал СТБ извинился за "зраду"

0

NewsHubРуководство телеканала СТБ в лице генерального директора Владимира Бородянского извинилось за показ в эфире в воскресенье, 15 января, программы « Битва экстрасенсов » производства российского телеканала ТНТ. Напомним, что в этой передаче участвовали российские военнослужащие , принимавшие участие в вооруженном конфликте на востоке Украины.
« Показ данной программы с моральной точки зрения недопустим. Мне стыдно. Я приношу свои извинения телезрителям », написал Владимир Бородянский на своей странице в Фейсбуке.
« Россия и Украина, по вине России, враждуют, российские военные присутствуют на Донбассе, Россия аннексировала Крым. Показ данной программы с моральной точки зрения недопустим. Мне стыдно. Я приношу свои извинения телезрителям », – написал гендиректор СТБ.
По его словам, виновные будут уволены, а показ программы « Битва экстрасенсов » производства телеканала ТНТ будет прекращен.
В оригинальной программе на ТНТ была фраза про то, что военные-участники передачи воевали в Украине. В программе, показанной по СТБ этот фрагмент был вырезан. На вопрос « Как это обьяснить? – То есть, выпускающие понимали, что делали? « , Бородянский ответил, что  » Люди ошибаются, у нас 100 эфирных событий, люди, иногда, допускают ошибки. Злого умысла тут нет ».
Читайте также: Украинскую телеведущую обвинили в пророссийской позиции из-за видео с Путиным
Подписывайтесь на самые свежие и актуальные новости на канале « Вестей » в Telegram

Similarity rank: 5.4

© Source: http://vesti-ukr.com/strana/219933-telekanal-ctb-izvinilcja-za-zradu-
All rights are reserved and belongs to a source media.

Security grid for inauguration means thousands of police, many street closures

0

NewsHubThe first visible signs of security measures for Friday’s presidential inauguration soon will be evident — parking restrictions begin Wednesday in the District’s downtown. Streets will start closing on Thursday.
The nation’s capital will quickly transform into a virtual fortress of roadblocks, fences and armed police. Streets will be barricaded with trucks filled with sand. Five Metro stations will close Friday. Crossing Pennsylvania Avenue will be next to impossible.
The peaceful transfer of power is made possible by overlaying a tight security grid using 28,000 security officials over 100 square blocks of prime downtown real estate — from the White House to the Capitol and beyond, with a price tag in the tens of millions of dollars.
An estimated 700,000 to 900,000 people are expected to watch Donald Trump become president. Security officials said there are 63 demonstration groups, pro and con, expected on Jan. 20, and an additional 36 on other days. Those include groups with permits and others who have signaled participation through social media.
To accomplish having a tranquil event amid worries of terrorist attacks and threats by some groups to disrupt the celebration requires bringing in 3,000 police officers from across the nation and 5,000 members of the National Guard, bolstering the already large law enforcement footprint imposed on everyday Washington. The numbers this year are the same as in years past.
“We’re constantly adapting, evolving and enhancing our protective methodology to protect against emerging threats,” said Brian Ebert, the Secret Service special agent in charge of the Washington field office. “We are monitoring our adversaries, paying close attention to their trends and tactics.”
Authorities said it makes little difference whether the Secret Service is protecting Trump, who is known for unpredictable behavior, or someone more apt to follow established customs. They dismissed notions that protecting Trump might be more difficult given his unique personality and the variety of people and groups he has angered.
“A lot of people think it’s different because of the individual,” said Jonathan Wackrow, a retired Secret Service agent who worked on President Obama’s inauguration in 2013 and now runs RANE, a security consulting group in New York. “It’s very much the threat level as a whole.”
But Scott J. White, a professor and director of the cybersecurity program at George Washington University, said Trump’s use of Twitter and the language he uses have spurned outrage that poses new risks.
“There are elements of the president-elect’s behavior that may pose a slightly greater threat,” White said. “I think his use of social media has a tendency to inflame people’s attitude toward him. And I think this particular method of engaging the public has definitely resulted in a different kind of adversary.”
For the most part, security experts said police say they will do what they always have done for such events: snipers on rooftops; boat restrictions in the Potomac and Anacostia rivers; manhole covers welded shut; light poles removed; trash cans and mailboxes hauled away; and multilevel perimeters established along the parade route and viewing areas at the Capitol Building, with metal detectors and bag checks.
The list of prohibited items is long and includes things one might expect — ammunition, weapons, explosives — but also balloons, selfie-sticks, and supports for placards and coolers.
“Bring a little bit of patience,” Ebert said. “We have a lot of checkpoints and we have a lot of people.”
Crowds are expected to be smaller than the 2 million people who attended President Obama’s first inauguration, in 2009, and on par with the 1 million or so who came to his second swearing-in, in 2013. But more protesters are anticipated this year after a polarizing campaign, reflecting divisions evident across the nation.
One group, DisruptJ20, has plans for “massive resistance” with rallies and marches. The group plans a permitted, family-friendly gathering, as well as what it calls “unpermitted anti-capitalist marches,” some targeting as many as a dozen security checkpoints along the parade route and others crashing inaugural balls.
Yolanda Rondan, who works with a group that advises activist groups such as Black Lives Matter raised another concern while testifying Thursday at a D. C. Council public safety committee hearing: whether police are prepared to protect anti-Trump demonstrators from those who may oppose their views or their tactics.
Monica Hopkins-Maxwell, the executive director of the ACLU of the Nation’s Capital, said at the hearing that the “First Amendment is rarely convenient and is rarely comfortable . especially during this inauguration and with this heightened emotion.”
Hopkins-Maxwell said the police should make every effort to single out instigators in an otherwise orderly crowd and not use isolated incidents to disperse an entire group or start mass arrests.
Demonstration organizers have planned for housing and legal support, as well as transportation. The ACLU is distributing 10,000 pamphlets called “know your rights guide” to help demonstrators who may encounter law enforcement.
District officials said officers from local and federal agencies are prepared for any unrest and both the mayor and police chief have said they will allow people to express their views but won’t allow violence from either Trump supporters or Trump critics. “We expect people to exercise their rights peacefully, and we will be prepared for anybody who chooses not to,” said D. C. Mayor Muriel E. Bowser (D).
Homeland Security Secretary Jeh Johnson said at a news conference Friday that demonstrators could reach the parade route by going through security checks and leaving prohibited items behind. “Peaceful demonstrations are certainly permitted as long as they aren’t violent,” he said. But Johnson stressed, “Special precautions are being taken to ensure that the official event cannot be disrupted.”
Authorities said police have been practicing for months with rehearsals and moving index cards symbolizing demonstrators around a giant map of the District. A team of Secret Service agents is monitoring social media.
The last time violence occurred at an inauguration was in 2005, when President George W. Bush began his second term. A melee at a checkpoint at 14th Street and Pennsylvania Avenue NW injured two officers, and riot police sprayed a group with pepper spray. Police reported being pelted with glass bottles. Fixtures from light poles were torn down.
At Bush’s first swearing-in, in 2001, numerous protest groups roamed the District, some clashing with police, in what The Washington Post described as the largest inaugural demonstration since the Vietnam War. The paper reported than an egg, four green apples and a plastic water bottle were tossed in the direction of Bush’s limousine as protesters along the parade route shouted, “Hail to the thief.”
Protests turned ugly in 1969 and 1973 for Richard M. Nixon’s inaugurations. Rocks were thrown at his limo during his second swearing-in.
“It was a huge challenge for the Secret Service,” said W. Ralph Basham, a retired director of the agency with 33 years of experience, who helped protect popes and presidents dating back to Nixon. “It’s critically important to make sure proper security measures are in place. We want to make sure that not only is the president and his family safe, but also the people who are there to witness this in­cred­ibly important Democratic event.”
Authorities said that they are prepared for any potential acts of terrorism, though they say no specific threat has been received. One tactic receiving new attention is vehicles being turned into weapons, as they were during attacks in Europe last year. The District is planning to use sand-filled trucks and other barricades to address that possibility.
The parade route ends at one of the most protected buildings in the world, the White House, though the short trip from the swearing-in at the Capitol to the president’s new home is privately referred to as the “two-mile nightmare.”
It is where exuberant new leaders make the slow drive, and sometimes walk, typically where Pennsylvania Avenue bends a bit near the grandstands. Presidents sometimes greet the crowds, pausing to shake hands or chat. There’s a new wrinkle this year: The parade route goes by the Trump International Hotel at 1100 Pennsylvania Ave. NW.
Ebert said it’s up to Trump if he wants to stop at the hotel. “We’re prepared to protect Mr. Trump in any environment,” he said.
The Secret Service official noted that the hotel is within the security perimeter and that the restrictions are the same there as with hundreds of other private and public buildings along the parade route. Everybody, from guests to workers to residents, will be checked by agents and rechecked should they leave and return.
Basham said that the inauguration “is pretty much controlled. Whether the president rides down Pennsylvania Avenue or he walks some portion of it, it’s all choreographed. Basically, there are no surprises. My understanding over the years is that the president understands the significance of his safety and his security and what it means to the world.”
Aaron Davis, Jennifer Jenkins, Michael E. Ruane and Perry Stein contributed to this report.

Similarity rank: 0
Sentiment rank: -0.6

© Source: https://www.washingtonpost.com/local/public-safety/security-grid-for-inauguration-means-thousands-of-police-street-closures/2017/01/15/a33a444c-d821-11e6-9a36-1d296534b31e_story.html
All rights are reserved and belongs to a source media.

Ringling Bros. shuts down operations – is this the end of an entertainment era? (+video)

0

NewsHubJanuary 15, 2017
— The curtains will fall for the last time at the Ringling Bros. circus this year.
The event known as “The Greatest Show on Earth” will hold its last performances later this spring, drawing the century-old tradition to a close in May. The move follows a drop in ticket sales, which came after the circus ceded to pressure from animal rights groups last year and removed elephants from the show.
“Ringling Bros. ticket sales have been declining, but following the transition of the elephants off the road, we saw an even more dramatic drop ,” Kenneth Feld, the chief executive of Feld Entertainment, which owns and operates the circus, said in a statement announcing the decision. “This, coupled with high operating costs, made the circus an unsustainable business for the company.”
Once lauded as a family-friendly pastime, the circus has become a more controversial event in recent years, with some choosing to steer clear of it in support for animal rights. The cultural shift had left circus operators struggling to attract the nationwide audiences in ways they once did, and venues such as SeaWorld have seen similar challenges, bringing their orca shows to an end amid pressure from activist groups.
Animal rights organizations, like PETA, applauded the decision.
“All other animal circuses, roadside zoos, and wild animal exhibitors, including marine amusement parks like SeaWorld and the Miami Seaquarium, must take note: society has changed , eyes have been opened, people know now who these animals are, and we know it is wrong to capture and exploit them,” the organization said in a statement.
Attendance at Ringling Bros. shows had declined over the past decade, culminating in the drastic drop this year with the absence of the elephant shows. The animals currently involved in the show will be placed in new homes when the tour comes to a close in May.
Other popular animal shows have faced the same fate in the past; torturing animals was once a form of entertainment , but is now seen as sadistic. Spectacles such as dogfighting have been widely denounced or deemed illegal.
While entertainment shows featuring animals have struggled, other performance events, such as Cirque du Soleil , have thrived, raking in billions of dollars with its traveling shows, indicating that there’s still a market for live circus performances that don’t showcase live animals.
Circus operators also say the digital age and other advancements have rapidly changed the world, ushering in a new era with which the two-hour-long show struggles to compete.
« The competitor in many ways is time, » Mr. Feld told the Associated Press, noting that transporting the show by rail and other preparations associated with the traveling circus echo another era. « It’s a different model that we can’t see how it works in today’s world to justify and maintain an affordable ticket price. So you’ve got all these things working against it. « 

Similarity rank: 2.2
Sentiment rank: 3

© Source: http://www.csmonitor.com/Business/2017/0115/Ringling-Bros.-shuts-down-operations-is-this-the-end-of-an-entertainment-era-video
All rights are reserved and belongs to a source media.

Bridal Expo brings latest wedding fashions to Bay City

0

NewsHubBAY CITY – A parade of satin and lace brought the newest wedding styles to Bay City’s DoubleTree Hotel Sunday for the city’s 13th annual Bridal Event.
Guests got the chance to check out 50 vendors, from wedding planners and caterers to decorators and even a drone photography service.
Sempliner’s Bride and Formal, 902 N. Water St., provided dresses, vests and tuxedos for the event’s 3 p.m. fashion show. Memories by Candlelight decorated dozens of tables with custom flower arrangements.
A team of 30 models showed off the newest developments in wedding fashion, including « popover » tops, shoulder necklaces, colored vests and three-piece suits. The show’s finale featured winter styles, including fur wraps, and a bouquet toss.

Similarity rank: 0
Sentiment rank: 3.5

© Source: http://www.mlive.com/news/bay-city/index.ssf/2017/01/bridal_expo_brings_latest_wedd.html
All rights are reserved and belongs to a source media.

Why doesn't falling snow show up on your phone camera? How the YouTuber stole Christmas

0

NewsHubIf snow falls on the ground and no one sees it on Instagram, did it really happen?
The answer to that question is a firm “No”, much to the chagrin of social media users around the United Kingdom today. There will be no flurry of Likes to accompany today’s flurry of snow, as one by one we each realise it is damned impossible to take a good picture of falling snow on our phone cameras.
A photo posted by Mamá 2.0 (@mama2punto0) on Jan 13, 2017 at 4:55am PST
The question is, why?
“All photography is dependent on light irrespective of camera type,” says Matthew Hawkins, a senior lecturer in photography at The University of the Arts, London. “Snowflakes usually fall in times of low contrast and relatively low levels of light.
“This increases the duration of exposure which becomes too long to freeze the motion of an inherently translucent flake.”
So it seems that, provided you’re not trying to shoot on a Nokia 3310, it might not actually be your phone that is the problem. In recent years phone cameras have become incredibly advanced, and the World Photography Organisation even has awards for mobile phone photos.
That said, phone cameras are obviously less advanced than expensive, professional DSLRs, and a lot of digital cameras actually have a “snow mode”, designed to help with the lighting issues that occur when photographing bright, white snow. « Snow scenes generally tend to come out underexposed, so exposure compensation (adding more stops) is usually needed and the automatic settings within a phone camera don’t compensate for this, » says James Jones , a freelance photographer.
Lauren Winsor, a photography lecturer at Kingston University, adds: “The shutter simply isn’t quick enough to freeze the majority of falling snow. It’s therefore either lost to near invisible motion blur or rendered as inelegant white, out of focus blobs.”
Given that your iPhone is currently trying to catch up with a theatre mode , it’s no wonder that it’s not really designed for the complexities of snow.
But if – as Hawkins says – these problems occur with fancy cameras as well as your phone, then why are your snow photos so underwhelming?
The answer to the question might actually be the answer to life’s many questions: you’re just not very good.
A photo posted by kayleepaterson94 (@ironcreature94) on Jan 12, 2017 at 6:13am PST
When I ask Lewis Bush, a photography lecturer (who is currently working on a project that uses satellite imagery for another perspective on the refugee crisis ), why it’s so hard to capture a good picture of falling snow, he says it’s isn’t “if you know how”.
Multiple online guides have sprung up to help you get this knowledge, and Paul Moore, of iphonephotographyschool.com offers eight tips for the perfect wintery photo. “Depending on the light and the weather, snow can take on different color hues or even end up a dull gray color,” he writes, advising that it can instead be fixed in editing. A simple black and white filter or a photo editing app can change everything.
And while you’re here, what about nature’s other trickiest photography subject, the humble moon? Bush has advice for any amateur phone photographers looking to capture the big cheese. “The moon is hard, so shoot with manual exposure controls if your phone has them, you could also try using telephoto adaptors that clip on to your phone camera or even borrowing a telescope and shooting through it,” he says.
But if the snow continues to fall and you can’t afford a swanky camera, what on earth should you do next?
“Shoot towards something dark,” says Bush. “White snow isn’t like to appear very well on a white background, and use a flash if it’s dark.
“Also, maybe question whether the world really needs more photographs of snow?”
Each video starts the same way: with a disclaimer.
“I’m not in any way trying to brag,” says beauty vlogger Fleur De Force in her “What I Got For CHRISTMAS 2016!” video, before speaking for 13 minutes about her Christmas presents, which include a £209 dress, £220 earrings, and £805 ankle boots. Some variation of these words are uttered in the videos of YouTubers, big and small, who showcase their yuletide gifts for the world to see each year.
“I’m not doing this to show off my presents at all,” says vlogger Tanya Burr in her 2014 video (presents of note: a £180 duck egg Roberts radio and a £300 Kitchen Aid mixer). But if YouTubers aren’t creating “What I got for Christmas videos” to brag or to boast, why are they doing it?
Burr’s answer is simple. In that very same video she explains: “I’m doing this because so many of you have requested it”. This is the first and most important defence of the conspicuous consumption on display in these clips. “What I got for Christmas” videos have been widely requested by YouTubers’ fans since the tag began in the late Noughties, and are hardly causing the commercialisation of Christmas so much as reflecting it.
“I do get why people are horrified by the onslaught of perfectly-presented beauty and lifestyle gurus talking about all the designer things they got for Christmas,” says Lex Croucher, a lifestyle vlogger with over 129,000 subscribers, “but I still actually enjoy watching all types of haul videos.”
Sophia Grace via YouTube
Croucher no longer makes any haul videos herself, as her channel now focuses less on beauty and fashion and more on her vegan lifestyle, politics, and comedy. Her conflicted response to Christmas hauls – that they can be at once jarring but also incredibly entertaining – reflects the complexity of the situation.
Gemma Tomlinson, a blogger and vlogger with over 88,000 subscribers, has similarly nuanced opinions. She no longer makes Christmas hauls since switching to cruelty-free beauty products and attempting to make more ethical choices about her purchases, but is unsure as to whether vloggers are directly fuelling the rise of Christmas consumerism.
“I definitely think these types of videos have a place, it’s mostly escapism and can also be informative for people as they might spot things they like themselves,” she says. “I do think it can fuel comparison and an addiction to materialism but so does our society in general, I suppose. The fact of the matter is these videos get lots of views, so vloggers will make the content the audience demands.”
For YouTubers, more views mean more money, so it is possible that Christmas haulers are not acting entirely altruistically in fulfilling their fan’s fancies. Yet whilst it is unfair to criticise YouTubers for making money in this way (everyone has to eat, after all), some vloggers go further to legitimately profit from their “What I got for Christmas” videos. Underneath Fleur De Force’s video , for example, is a list of links as to where her viewers can purchase the presents on show. Each link is affiliated (you can tell because they have been shortened, and when you click on them the URL redirects via ShopStyle, who run an affiliate program) – meaning she directly profits every time it is clicked. YouTubers are legally free to use these affiliate links without disclaiming or disclosing that they profit from them, but many feel it is better, ethically, to tell their young viewers when they are doing so.
YouTubers must, however, disclose when they have been paid by a brand to feature a product in their video as an advertisement deal, and some are rumoured to charge up to £20,000 to feature a single item in their videos. The Advertising Standards Agency (ASA) ruled in 2014 that vloggers must feature the word « ad » in a video’s title or thumbnail if the video was a paid-for advert by a brand, ending an era of misleading advertisements. Since then, however, some YouTubers have got around this by accepting sponsorships instead of advertisement deals (the difference is that they do not have a script to follow, and that the ASA does not regulate sponsorships). This means that, without breaking any ASA rules, YouTubers can accept money from brands to stealthily market their products.
Claudia Sulewski via YouTube
This makes it hard to tell if any of these “What I got for Christmas” videos contain sponsorships. In this way, the videos are a perfect end to Vlogmas – the advent period in which YouTubers film a video every day before Christmas, often featuring an abundance of products about which they wax lyrical. Being unsure whether a YouTuber is sponsored or not can make viewers doubt their authenticity. Is it a coincidence that so many vloggers seem to fall in love with the same supermarket from autumn to Christmas time? Perhaps. Perhaps not.
Yet even without any brand deals behind them, are “What I got for Christmas” videos still problematic?
On the one hand, it can be disturbing to see thousands of pounds worth of presents on display, and on the other, when I bought a £50 (£50!) device that cleaned my make-up brushes this week, I found myself taking to social media to tell others about how good it is. Personally, my main reservations about the videos probably come from the fact that, as a child, I hated coming back to school and my friends asking each other about their gifts, only for them to reveal they got Playstations and ponies before the question turned to me and I awkwardly stuttered out, « Erm… a calendar.  » (Note, dad, if you’re reading: it was a great calendar).
Yet although it can be jarring to watch these parades of presents, the fact of the matter is – I and many other people still watch them. We are fundamentally nosy about other people’s lives, and YouTubers are surely exhibiting some form of Christmas generosity by allowing us a peek into their own?
Still, it would be nice if these videos didn’t come immediately after Vlogmas – which ends, for many YouTubers, on December 24 th. If a YouTuber or two could take the time out to remind their fans that yes, it was still Christmas this week, then perhaps that would combat the materialism on show. Either that, or they could lend me their £805 ankle boots. Please.

Similarity rank: 0.1
Sentiment rank: 2

© Source: http://www.newstatesman.com/science-tech/technology/2017/01/why-doesnt-falling-snow-show-your-phone-camera
All rights are reserved and belongs to a source media.

In pictures: Fashion at the Oscars

0

NewsHubThe Voice UK judges popped to the pub during a break in filming – they popped to the Rovers Return, to be precise, from ITV soap opera Coronation Street, which is filmed near The Voice in Manchester. Beverley Callard (left), who plays Rovers landlady Liz McDonald, showed international pop superstar will.i.am and Oscar winner Jennifer Hudson how to pull a pint.
Amy Adams became the latest celebrity to get a star on the Hollywood Walk of Fame. The US actress, who was Bafta-nominated this week for sci-fi film Arrival, attended its unveiling with mother Kathryn Adams, husband Darren and daughter Aviana.
David Walliams and Rochelle Humes joined the voice cast of Teletubbies. They will each lend their voices to the trumpet, which pops out of the ground at the beginning of every episode and announces: « Time for Teletubbies ».
Spanish singer Enrique Iglesias (left) was joined by Cuban performer Descemer Bueno on the top of a bus as they filmed a video in Old Havana.
Queen Latifah attended a party thrown by US TV network Fox – home of her new music-based series Star – as part of the Television Critics Association’s winter press tour in Pasadena, California.
Images from a new production of La Cage aux Folles were released picturing Adrian Zmed and EastEnders’ John Partridge. The show continues its UK tour next week at Norwich’s Theatre Royal.
Moonlight triumphed in the closely-fought battle for best film drama at the Golden Globes in Los Angeles. It held off competition from the critically-lauded Manchester By The Sea. Both films were put in the shade, however, by La Land – which won all seven of the awards it was nominated for.
La La Land’s stars Ryan Gosling and Emma Stone flew to London after the Golden Globes ceremony and attended a screening of the film at the Ham Yard Hotel ahead of its release in UK cinemas this weekend.
This man was one of many Presley impersonators who took the « Elvis Train » from Sydney’s Central Station to the Australian town of Parkes for its annual celebration of the US singer and actor.
Six years later than scheduled, the Elbphilharmonie concert hall in Hamburg finally opened its doors to the paying public. Conductor Thomas Hengelbrock waved the baton at its opening night concert.
Dominic Cooper and Sophie Turner announced the nominations for this year’s Baftas at an early-morning ceremony in London, with La Land leading the field. Together with the Oscars and the Golden Globes, the Baftas are one of the key ceremonies of the film awards season and have categories dedicated to British films and talent.
Japan’s Miki Yokoyama (second from left) posed with three body-painted models at the opening night of the Los Angeles Art Show.
Tinie Tempah joined a plethora of models backstage at London Fashion Week Men’s. The rapper is heavily involved in the fashion industry and launched his own menswear range to coincide with the event.

Similarity rank: 0
Sentiment rank: 3.3

© Source: http://www.bbc.co.uk/news/entertainment-arts-38595531
All rights are reserved and belongs to a source media.

Arianny Celeste Celebrates The Weekend With Skimpy Lingerie Picture

0

NewsHubUFC star Arianny Celeste welcomed the weekend with an incredibly revealing photo.
The face of the UFC’s octagon girls posted a photo of herself in a wildly skimpy red lingerie outfit. (SLIDESHOW: 42 Times Arianny Celeste Went Topless O n Instagram)
A photo posted by Arianny Celeste UFC® (@ariannyceleste) on Jan 14, 2017 at 5:56pm PST
Celeste is one of the most famous women in the world of sports. Her Instagram account is notorious for the revealing photos she posts. Check some of her other shots. (SLIDESHOW: 26 Times Lindsey Pelas Went Topless )
Follow David on Twitter and Facebook

Similarity rank: 0
Sentiment rank: 4.5

© Source: http://dailycaller.com/2017/01/15/arianny-celeste-celebrates-the-weekend-with-skimpy-lingerie-picture/
All rights are reserved and belongs to a source media.

Viola Davis: Hollywood 'being forced to open up'

0

NewsHubHollywood star Viola Davis says black actors have demanded a wider range and more substantial roles, and are finally getting them.
The actress recently won a Golden Globe for her performance in Fences, directed by Denzel Washington, and is tipped for Oscar success.

Similarity rank: 0
Sentiment rank: 1.6

© Source: http://www.bbc.co.uk/news/entertainment-arts-38631518
All rights are reserved and belongs to a source media.

‘Your Name’ Remains on Top, ‘Moana’ Lands in Second

0

NewsHubForeign-made animated movies held the top two places at the Korean box office. Makoto Shinkai’s “ Your Name ” remained on top for the second weekend, while Disney’s “ Moana ” debuted in second place.
“Your Name” enjoyed 30% of the weekend total and earned $5.23 million. Favorable word of mouth puts it on course for 3 million admissions within the next week and to overtake “Howl’s Moving Castle” as the biggest ever Japanese movie in Korea.
Opening on Thursday (Jan. 12,) “Moana” scored $4.58 million from 673,000 admissions over opening four days. It is Disney’s second biggest opening score in Korea, behind 2013’s “Frozen.”
CJ Entertainment’s “Master” slipped to third place with a drop of 50%. The crime drama earned $2.1 million and extended its total to $48.4 million after four weekends.
Both opening on Wednesday, “Allied” and “Assassin’s Creed” took fourth and fifth, respectively. Distributed by Lotte Entertainment, Paramount’s “Allied” earned $2.4 million over five days. Fox’s “Creed” earned $2.1 million.
“La La Land” bounced back to sixth, earning $798,000 between Friday and Sunday. The Oscars hopeful has made a total of $20.8 million in Korea to date.
With a steep drop of 85%, UPI’s “ Passengers ” slipped to seventh place. The picture earned $371,000 between Friday and Sunday for a total of $4.54 million after two weekends.

Similarity rank: 0
Sentiment rank: 1.8

© Source: http://variety.com/2017/film/news/your-name-on-top-moana-in-second-1201960938/
All rights are reserved and belongs to a source media.

Vibrant beauty in L. A. artist Merion Estes' 'Lost Horizons'

0

NewsHubMerion Estes’ collaged paintings on paper at CB1 invoke a tower of Babel in two dimensions: Within them, multiple visual languages are spoken at once.
In each of the dozen works from the « Lost Horizons » series (2007-2011), the L. A.-based Estes mobilizes an exuberance of means, toggling between representation, abstraction, pattern and ornament. One mode of address, one manner of engaging surface and space abuts another, all of them feeding into a vibrant, dissonant beauty.
Natural references abound here — mountains, moons and rivers, as well as birds, fish and butterflies — but there is no overt note of lamentation or protest over the forsaken pastoral. The works contain a lively friction that comes from unlike elements rubbing against one another, not from allusions to environmental threat. A large new collaged painting on canvas that renders visual the hot mess of climate change practically makes the temperature rise in the separate room where it hangs, but the « Lost Horizons » pieces are largely mild delights.
Reproduction of the same Chinese landscape painting appears throughout the series — repeated, cut, stacked. In one tightly calibrated delicacy (« Lost Horizons #37 »), the falling water in that printed/painted scene is echoed in irregular patches of decorative marbling, and those fluid striations are distilled further in the work’s hem, a fringe of dripped white paint on a dark band along the bottom edge. The whole reads as a meditation on flow, simultaneously translated into various graphic idioms.
Another, “#47,” is all resonance, buzz and rhyme. Here, the appropriated landscape is flipped and mirrored. A few lavender rice paper moons hover about, and across all runs a gorgeous grill of gold and black blurred streaks. Estes borrows and blends toward an aesthetic of richly textured, restless sensuality.
♦ ♦
Where: CB1 Gallery, 1923 S. Santa Fe Ave., Los Angeles
When: Through Feb. 19; closed Mondays
Information: (213) 806-7889, www.cb1gallery.com

Similarity rank: 0
Sentiment rank: 1.2

© Source: http://www.latimes.com/la-et-cm-merion-estes-review-20170112-htmlstory.html
All rights are reserved and belongs to a source media.

Timeline words data