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学生音コン・バイオリン小学の部 東京予選、19人が本選へ

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第79回全日本学生音楽コンクール(毎日新聞社主催、NHK後援)の東京大会予選は13、14日、東京・初台の東京オペラシティ・リサイタルホールでバイオリン部門小学校の部を開催した。65人の応募者の中から19人が本選へ進んだ。
第79回全日本学生音楽コンクール(毎日新聞社主催、NHK後援)の東京大会予選は13、 、東京・初台の東京オペラシティ・リサイタルホールでバイオリン部門小学校の部を開催した。65人の応募者の中から19人が本選へ進んだ。
本選は 、東京・赤坂のサントリーホール・ブルーローズ(小ホール)で開かれる。
予選通過者は…

Is The Grumman F-14 Tomcat Fighter Jet Still Flying Anywhere?

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Iran is currently the only nation still flying F-14 Tomcats, having acquired 79 in the 1970s. Iran also flies other old U.S. fighters like the F-4 and F-5E.
Utilized during the Cold War, the Grumman F-14 Tomcat was a reliable and highly effective defense fighter jet. Thanks to its weapons systems and variable-sweep wing design, the two-engine Tomcat had an unbeatable mix of speed and power, making it one of the most versatile planes in the U.S. Navy. But as of this writing, the F-14 is only being used for active operations by Iran.
Iran acquired its Tomcat fleet in the 1970s, after the United States sold 79 of them to then-Shah Mohammad Reza Pahlavi. Though the two countries were allies against the Soviet Union at the time, everything changed when Pahlavi was overthrown in 1979. The new Islamic Republic took possession of the F-14s and continued flying them through the years, even after being sanctioned by the U.S. Today, the Iranian Tomcats survive thanks to parts obtained on the black market, making them something of an outdated relic when compared to newer fighters.
Iran also flies other American fighters aside from the F-14, also acquired during the Shah’s reign. Iran’s fleet of U.S.-built fighters includes the F-4 Phantom, F-5E Freedom Fighter, and copies of the F-5. Iran also utilizes fighters from other countries as well, like the French Dassault Mirage F1 and the Chinese J-7/F-7. Much like the Tomcat, these jets are past their prime, yet Iran continues to use them as part of its regular fleet of fighters.The F-14 was fast, fierce, and far too costly
The movie «Top Gun» popularized the Grumman F-14 Tomcat, but the famous fighter jet experienced a decline in the years that followed. By 2006, the Tomcat’s time in the sky, at least for the U.S. Navy, came to an end. The F-14 was phased out to make room for more modern fighters that could handle the demands of the era.
One of those fighters was the F/A-18 Super Hornet, a new plane that carried out carrier operations more effectively and was easier to maintain. While the Super Hornet’s Mach 1.6 top speed couldn’t match the Tomcat’s, it was a reliable replacement in a time when technology was leaving the F-14 behind. Safety problems with the Tomcat were also a concern, as it could experience a flight condition called flat spin, which caused the fighter to move downward while simultaneously losing forward speed. When that happened, pilot ejection was sometimes the only way out.
However, perhaps the biggest reason for the F-14’s exit was its staggering cost. When the F-14 first took flight, the estimated price per plane was around $13 million. In two years, that number jumped to just under $17 million. Overall maintenance costs only added to that number, making the F-14 a very expensive fighter that the U.S. government eventually couldn’t justify keeping in the air.

Radosław Sikorski nie ma wątpliwości. "Muszą to pilnie uwzględnić"

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Radosław Sikorski przekazał, że polskie zespoły antydronowe przejdą szkolenia od ukraińskich operatorów. — To jest coś, co opinia publiczna i rządy na Zachodzie muszą pilnie uwzględnić w swoim myśleniu. że to Ukraińcy będą nas szkolić, jak przeciwstawić się Rosji, a nie na odwrót — dodał.
«Rosja próbowała nas przetestować bez wszczynania wojny»
Radosław Sikorski udzielił w Kijowie wywiadu dla dziennika «Guardian». Szef polskiej dyplomacji stwierdził między innymi, że wtargnięcie rosyjskich dronów do Polski było próbą przetestowania przez Kreml reakcji NATO poprzez stopniową eskalację. — Co ciekawe, wszystkie (droby — red.) były niewypałami, co sugeruje mi, że Rosja próbowała nas przetestować bez wszczynania wojny — powiedział.
REKLAMA
Odpowiedź Polski byłaby «znacznie ostrzejsza»
W sobotę (13 września) Rządowe Centrum Bezpieczeństwa wydało alert dla części województwa lubuskiego w związku z rosyjskimi działaniami nad Ukrainą, w pobliżu polskiej granicy. Początkowo nie było pewności, czy polska przestrzeń powietrzna ponownie nie została naruszona, ponieważ systemy radiolokacyjne wskazały taką możliwość, a polskie i sojusznicze myśliwce zostały poderwane. Ostatecznie Dowództwo Operacyjne Rodzajów Sił Zbrojnych przekazało, że nie doszło do naruszenia. W nocy z wtorku na środę do Polski wleciało 19 rosyjskich dronów. Sikorski podkreślił w rozmowie z «Guardianem», że gdyby te ataki spowodowały śmierć lub obrażenia na terenie naszego kraju, odpowiedź Polski byłaby «znacznie ostrzejsza». — Z agresorem i kłamcą takim jak Putin działają tylko najtwardsze kontrnaciski — podkreślił.

Zobacz wideo 19 rosyjskich dronów nad Polską. Tusk: Operacja trwała całą noc
Ukraińcy będą szkolić polskie zespoły antydronowe
Wołodymyr Zełenski przekazał niedawno na platformie X, że Ukraina jest gotowa dzielić się swoim doświadczeniem w zakresie obrony, szkolić polskich żołnierzy i wspólnie budować system obronny. Prezydent Ukrainy spotkał się w piątek w Kijowie z szefem polskiej dyplomacji, gdzie obaj prowadzili rozmowy na temat bezpieczeństwa i obrony przed rosyjskimi dronami. Sikorski przekazał, że polskie zespoły antydronowe przejdą szkolenia od ukraińskich operatorów. — Ukraińcy mają lepszy sprzęt do radzenia sobie z rosyjskimi dronami i mają znacznie głębsze i bardziej aktualne doświadczenie w stawianiu oporu rosyjskiej armii — powiedział. — To jest coś, co opinia publiczna i rządy na Zachodzie muszą pilnie uwzględnić w swoim myśleniu. że to Ukraińcy będą nas szkolić, jak przeciwstawić się Rosji, a nie na odwrót — dodał.

Papież Leon XIV udzielił wywiadu. «Ludzie muszą zostać przebudzeni»
Przeczytaj także: «Minister obrony Finlandii o tym, co w Europie może chcieć stworzyć Rosja. ‘Wojna ujawniła gotowość'».

Źródła:Guardian, IAR
udzielił w Kijowie wywiadu dla «Guardian». Szef polskiej dyplomacji stwierdził między innymi, że wtargnięcie rosyjskich dronów do Polski było próbą przetestowania przez Kreml reakcji NATO poprzez stopniową eskalację. — Co ciekawe, wszystkie (droby — red.) były niewypałami, co sugeruje mi, że Rosja próbowała nas przetestować bez wszczynania wojny — powiedział. W sobotę (13 września) Rządowe Centrum Bezpieczeństwa wydało alert dla części województwa lubuskiego w związku z rosyjskimi działaniami nad Ukrainą, w pobliżu polskiej . Początkowo nie było pewności, czy polska przestrzeń powietrzna ponownie nie została naruszona, ponieważ systemy radiolokacyjne wskazały taką możliwość, a polskie i sojusznicze myśliwce zostały poderwane. Ostatecznie Dowództwo Operacyjne Rodzajów Sił Zbrojnych przekazało, że nie doszło do naruszenia. W nocy z wtorku na środę do Polski wleciało 19 rosyjskich dronów. Sikorski podkreślił w rozmowie z «Guardianem», że gdyby te ataki spowodowały śmierć lub obrażenia na terenie naszego kraju, . — Z agresorem i kłamcą takim jak Putin działają tylko najtwardsze kontrnaciski — podkreślił. Wołodymyr Zełenski przekazał niedawno na X, że Ukraina jest gotowa dzielić się swoim doświadczeniem w zakresie obrony, szkolić polskich żołnierzy i wspólnie budować system obronny. Prezydent Ukrainy spotkał się w piątek w Kijowie z szefem polskiej dyplomacji, gdzie obaj prowadzili rozmowy na temat bezpieczeństwa i obrony przed rosyjskimi dronami. Sikorski przekazał, że polskie zespoły antydronowe przejdą szkolenia od ukraińskich operatorów. — Ukraińcy mają lepszy sprzęt do radzenia sobie z rosyjskimi dronami i mają znacznie głębsze i bardziej aktualne doświadczenie w stawianiu oporu rosyjskiej armii — powiedział. — To jest coś, co opinia publiczna i na Zachodzie muszą pilnie uwzględnić w swoim myśleniu. że to Ukraińcy będą nas szkolić, jak przeciwstawić się Rosji, a nie na odwrót — dodał. Guardian, IAR

Five Takeaways From Thrilling Patriots Win Over Dolphins

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The New England Patriots beat the Dolphins in Miami for the first time since 2019.
The New England Patriots responded well from a Week 1 loss and flipped several trends for Mike Vrabel’s first win as head coach.
New England controlled the offense and made clutch plays in the fourth quarter defensively to down the Miami Dolphins 33-27 in Week 2. The Patriots earned their first win in Miami since 2019 and scored 30 points in a game for the first time since October 2022.
Here are five takeaways from Sunday’s encouraging win for the Patriots in Miami.
Maye Improves
The second-year passer showed flashes last week, but Drake Maye gave the Patriots a far improved effort Sunday. He operated with great efficiency and pace in the first quarter with two touchdown passes. He led the offense to chew the clock and find balance in the running game, which the Patriots heavily struggled to do in Week 1.
Maye also leaned into his ability to make plays with his legs, a hopeful development for his game in his sophomore campaign. He outraced former Patriots defender Matthew Judon and scrambled for a touchdown in the second half.
Dolphins Still Explosive In Miami
For as many struggles as the Dolphins have, Tyreek Hill and Jaylen Waddle always seem to be open against the Patriots in Miami. The two wideouts combined for 177 yards while running back Devon Achane dashed New England for 122 all-purpose yards.
First-Half Strategy Should Be Offensive Identity
The Patriots ate up more than 22 minutes of possession in the first half against Miami. If New England lacks the skill players to drive the ball down the field consistently, the offense under coordinator Josh McDaniels needs balance and sustained drives.
New England put that on display on the opening two drives for touchdowns with 10 plays and 11 plays respectively.
Too. Many. Penalties.
For all of the good New England put on film with the offense, the unit, particularly in the trenches, consistently put itself behind the sticks Sunday afternoon.
The Patriots tallied 12 penalties in the game for 75 yards.
Special Teams Inconsistencies
Bad news? Kicker Andy Borregales missed two extra points and the Patriots missed three tackles on a 74-yard punt return touchdown from Miami’s Malik Washington in the fourth quarter. Borregales also had a kickoff land short of the landing zone with under two minutes remaining.
Good news? Antonio Gibson ran back the ensuing kickoff for a 90-yard touchdown return. Borregales also bounced back to drill a 53-yard kick that extended the lead with under two minutes remaining.
More NFL: Bengals’ Joe Burrow Exits Game After Taking Massive Hit

5 Of The Smallest V12 Engines Ever Made

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V12 engines are known for being big, powerful, and expensive, but all those cylinders don’t have to to come in a large package — sometimes it’s quite small.
There is a range of common adjectives that come to mind when we think of V12 engines. «Smooth» is one, evidenced by engines like the V12 that powers the ultra-luxe Rolls-Royce Cullinan Series II. «Expensive» is probably another common adjective, since most modern V12-powered vehicles have eye-watering price tags. «Powerful» is also a given, what with cars like the Aston Martin Valkyrie and its headline-grabbing 1,000-hp V12. There are doubtless many more that have popped into mind as you read this, but one that likely hasn’t is «small.»
Most V12s are quite large engines, at least compared to the more mundane options we encounter daily. However, despite that, there have been a handful of V12 engines over the years that are genuinely quite compact. Some of these, like the Cosworth GMA engine, are only small by the standards of V12s, while others, such as Ferrari’s immortal Colombo V12, are small no matter the cylinder count. And it’s these engines we want to celebrate by journeying through the history of small V12 engines.
A quick note before we start, though: We’re limiting this list to V12 engines that have powered road- or track-going cars, so we won’t be discussing any mini V12 engine kits here. While they’re fascinating products, we decided it would be unfair to pit vehicle engines up against these tiny marvels. But with that out of the way, let’s get started.3.9-liter Cosworth GMA
British automotive engineering company Cosworth has built many amazing engines since its founding in 1958, including classics like the Mercedes-Benz 190E’s 2.3-16 engine and the race-proven DFV V8. But while those are all impressive powerplants, we’d venture that few are as special as the Cosworth GMA engine that it designed and built for Gordon Murray Automotive (GMA) and its vehicles, the T.33 and T.50.
GMA unveiled its first car, the T.50, in 2020, with press hailing it as the spiritual successor to the McLaren F1, which Murray also designed. The T.50’s headline feature, beyond the fan-powered active aero, was — and continues to be — undoubtedly the engine, a naturally-aspirated 3.9-liter V12 that revs to an unprecedented 12,100 rpm and makes 660 hp. The T.50 was soon joined by the T.33 in 2022, which debuted with the same 3.9-liter Cosworth V12, albeit in retuned form. The T.33’s GMA V12 had more low-rpm torque, with a lower redline — it maxes out at 11,100 rpm — and a slightly more daily-drivable 608 hp.
Cosworth and GMA also went another way with the V12, though, with an even more-powerful version featuring in the GMA T.50s. The T.50s is a special version of the T.50 that GMA first showcased in 2021 as a tribute to celebrate legendary F1 driver Niki Lauda, who passed away in 2019. Befitting Lauda’s high-speed legacy, GMA equipped the T.50s with a redesigned version of the T.50’s GMA V12 that made a staggering 761 hp.3.5-liter Lamborghini Bizzarrini V12
Italian automakers are no strangers to small engines, not least thanks to post-oil crisis tax laws that pushed automakers like Ferrari and Lamborghini to create some of the smallest V8 engines ever. But Lamborghini had a history with surprisingly small engines even before the taxman pushed it to downsize in the ’70s, as the Giotto Bizzarrini-designed 3.5-liter V12 from 1963 shows.
Lamborghini’s relatively compact V12 powered the firm’s first car, the GT 350, which debuted in 1964. The V12 made 320 hp, which was enough to push the luxury 2+1 grand tourer to an impressive-for-the-time top speed of 155 mph. Bizzarrini’s V12 would go on to power many future Lamborghinis, including the 400 GT, Jarama, and the Lamborghini Miura, often hailed as the world’s first supercar. Of course, the V12 didn’t stay at its original 3.5 liters for long; the Miura’s V12 had a 4.0-liter displacement, and later descendants would crank the power and size up even more. That’s a story for another time, though.
An interesting note is that even though Bizzarrini’s 3.5-liter V12 is plenty small for a 12-cylinder powerplant, it could actually have been even smaller. When Lamborghini roped Bizzarrini in to create its V12 engine, the designer already had plans for a 1.5-liter racing V12. However, the requirements of a grand tourer — and, perhaps, Ferruccio Lamborghini’s desire to upstage Ferrari — eventually led to the 3.5-liter V12 that debuted in the GT 350. If you want to see it yourself, good luck — one sold in a Sotheby’s auction last year for $630,000.3.3-liter Ferrari Lampredi V12
Any automaker is most associated with the small V12 amongst motorheads, it’s probably Ferrari, which featured two great sub-3.5-liter V12s in its cars over the years. The larger of the two is also the newer one, although it’s by no means a recent engine: Say hello to the Lampredi V12, in production from 1950 to 1964.
Designed by Aurelio Lampredi, Ferrari’s ’50s V12 was built on the foundations of the firm’s first — and smaller — Colombo V12, which we’ll discuss later. The master plan was for Ferrari to take the fight to contemporary rivals such as the French Talbot-Lago team, which had seized victory at the 1950 24 hours of Le Mans. Talbot-Lago cars had 4.5-liter engines, and that’s what Lampredi’s V12 was designed for. However, the V12 debuted with a 3.3-liter displacement in the 275 S from 1950.
The 3.3-liter V12 in the 275 S featured three Weber carburetors and made an impressive 266 hp (199 kW), which was good enough to take the open-top racer to a heady top speed of 149 mph. By 1951, Lampredi’s V12 reached its 4.5-liter target in the 375 F1, with its 350 hp helping Ferrari achieve its first-ever F1 win at the British GP. The final flourish for Aurelio Lampredi’s work came in 1964, when a 400-hp, 5.0-liter V12 that combined his and predecessor Gioachino Colombo’s work powered the Ferrari 500 Superfast. Finding examples of Lampredi’s work to try is tough these days — a 1951 Ferarri 340 sporting a 4.1-liter model sold just this year through a Sotheby’s auction for over $3 million.3.0-liter Matra V12
French automaker Matra may not be a household name, but it has a storied history, producing a range of quirky sports cars in the 1960s and ’70s. It had some racing success, too, earning three consecutive Le Mans wins in the early 1970s. These wins, earned in collaboration with French firm Simca, owed much to Matra’s in-house engine, a 3.0-liter V12 that produced 450 hp and 299 lb-ft of torque. This wasn’t Matra’s first V12, though.
The brand had been involved in racing since the mid-1960s with Formula Two racers like the MS5. These early efforts had third-party engines from the likes of Ford, and it wasn’t until 1967 that the French automaker began working on an in-house engine. A deal with Elf Oil allowed Matra to design and build a 3.0-liter V12 for Formula One; the MS9, as it was known, debuted in 1969. It was a 400-hp screamer with six dedicated exhaust pipes and it powered the Matra MS11 racer in a handful of races during the 1968 F1 season, albeit without much success.
The V12’s F1 stint was short-lived, with Matra’s MS80 from 1969 switching to a Cosworth engine. The MS80 won the constructors’ championship and handed F1 legend Jackie Stewart his first drivers’ championship, but Matra didn’t abandon the V12 entirely despite this success. An updated V12, dubbed the MS12, returned for the 1970 F1 season, and further developments eventually led to the MS73 V12 that gave Matra-Simca its back-to-back Le Mans wins in 1972, 1973, and 1974.1.5-liter Ferrari Colombo V12
Few V12 engines are as celebrated as this one. Ferrari’s Colombo V12 is hailed as an exceptional example of the art of the V12 and regularly features on lists of the best V12 engines ever made. It’s Ferrari’s first-ever V12, and it’s also remembered for being exceedingly small, at least in its initial form.
Named after its designer, former Alfa Romeo employee Gioachino Colombo, the Colombo V12 displaced a positively tiny 1.5 liters — which, for context, is the same as the 2025 Honda Civic Si. Ferrari head honcho Enzo Ferrari wanted a 1.5-liter engine, and Colombo was up for the task of squeezing 12 cylinders into such a small form factor. The result was an over-square V12 that powered the 1947 Ferrari 125 S, making 118 hp. While that may seem mundane now, the engine helped Ferrari’s debut car win six out of the 13 races it competed in that year, so it certainly was no slouch.
Like many other small V12s, Colombo’s baby would get bigger as the years went on. 1948 saw the V12 hit 2.0 liters in cars like the 166 Inter and 166 MM — one of which sold at auction for over $3.8 million a few years ago — producing 140 hp in the latter. Colombo returned to Alfa Romeo in 1951, eventually designing a championship-winning 1.5-liter straight-eight engine. While Colombo’s stint with Ferrari was brief, the engine he designed would last until the 1985 Ferarri 412, which boasted a 340-hp, 5.0-liter version of the venerable 12-cylinder.

Xbox is interested in expanding partnerships with Chinese game companies

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A Business Development Lead based in China is something that Microsoft really wants.
Representatives of the Xbox team have repeatedly stated that they would like to have more Asian studios, particularly Japanese ones. They finally got one with the acquisition of Bethesda, Tango Gameworks, which strangely enough was shut down shortly after the launch of the successful Hi-Fi Rush.
But the dream obviously lives on, and in recent years, Chinese game developers have begun to make their mark in the industry. Perhaps this is why Microsoft now seems to want to strengthen its ties with China, as noted by Hazzador Gamin on Threads.
Apparently, Microsoft is specifically looking for a Business Development Lead, writing that «Xbox Partnerships & Business Development team is hiring a China Business Development Lead to work with partners across Asia» to «lead business development activities with gaming publishers and developers in the region.»
There is a long list of job duties, an important point being to «close Xbox, Windows, Game Pass, and event partnerships with publishers and developers.»
It will of course take a while before we see the effect of this, but it is clear that the focus is on China right now. Their studios are no longer content with being support developers for Japanese and Western companies, but have recently released big hits such as Black Myth: Wukong and Wuchang: Fallen Feathers, and this is apparently something that is here to stay.

Apb Jędraszewski apelował, by wypisywać dzieci z edukacji zdrowotnejProfanacja krzyża w cerkwi Kościoła greckokatolickiego w LegnicyPocałuj krzyżPierwszy wywiad Leona XIV: Mam wielką ufność w naturę ludzką

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Zdaniem metropolity krakowskiego abp Marka Jędraszewskiego resort edukacji pod pozorem nauki o zdrowiu wprowadza treści mogące deprawować dzieci Podczas
W niedzielę do kalwaryjskiego sanktuarium pielgrzymowały po raz 33. rodziny Archidiecezji Krakowskiej. Uroczystości – mimo niesprzyjającej pogody — zgromadziły dziesiątki tysięcy wiernych. Mottem były słowa: „Rodzina sanktuarium życia”.
Abp Marek Jędraszewski, zwracając się w homilii do pielgrzymów, wskazał, że „znajdujemy się w sytuacji, kiedy ministerstwo oświaty robi naprawdę wszystko, aby dzieciom odebrać piękno spojrzenia na siebie, niewinność serca; żeby zaoferować dziecku treści, które mogą je zdeprawować i to jeszcze pod płaszczykiem przedmiotu nauka o zdrowiu”. Zaznaczył, że odbywa się to w dobie ograniczania nauki religii w szkołach.
— Bóg — nie, deprawacja — tak. Ale ciągle rodzice mają szansę — do 25 września — wypisać dzieci z tego przedmiotu. Jeżeliście się (…) zobowiązali w chwili zawarcia małżeństwa, by przyjąć i po katolicku wychować swoje potomstwo, to teraz przychodzi czas próby, (…) czas odpowiedzialności, czas sprawdzenia, czy naprawdę kochacie swoje dzieci. Jest szansa, by powiedzieć temu złu jednoznaczne nie. Jest czas, w którym po raz kolejny możecie pokazać światu, jak bardzo wam na sercu leży los, życie waszych kochanych dzieci. Święte zobowiązanie, wielka szansa dla was, waszych dzieci, waszych rodzin, ale także dla polskiego narodu – mówił metropolita.
Duchowny podkreślał w homilii, że rodzina jako sanktuarium życia jest powiązaną więzami miłości. — Jest święta, bo daje życie; święta, bo jest przeniknięta przez krzyż chrystusowy, zwycięski dla tych, którzy w niego wierzą”.
Abp Jędraszewski podkreślał także równość obu małżonków – kobiety i mężczyzny. – Jako małżonkowie kształtujcie swoje małżeńskie więzy w duchu Chrystusa i jego miłości – apelował.
Mówił o czwartym przykazaniu bożym: „czcij ojca swego i matkę”. W tym kontekście nawiązał do słów Jana Pawła II wypowiedzianych w 1991 roku w Kielcach. — Papież wtedy nieoczekiwanie dla wszystkich niejako odwrócił porządek czwartego przykazania. Zaczął, że — owszem — dzieci muszą (…) czcić ojca i matkę, ale żeby dzieci mogły czcić rodziców, to najpierw rodzice muszą zasłużyć na tę część ze strony dzieci — powiedział.
Pielgrzymkę rozpoczęło w niedzielę nabożeństwo Drogi Krzyżowej. Msza św. odprawiona została przy ołtarzu polowym.
Sanktuarium w Kalwarii Zebrzydowskiej jest duchowym centrum Małopolski. Zostało ufundowane na początku XVII wieku przez rodzinę Zebrzydowskich. (PAP)

Rolling Stone, Variety Publisher Sues Google Over AI Summaries

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The lawsuit claims the feature is in violation of US antitrust laws and unfairly competes ‘for the attention of users on the Internet.’
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Google’s AI Summaries have already stirred up major opposition from the publishing industry since rolling out in May 2024, with trade groups claiming the service is making a serious dent in both their clicks and revenue. Now, Penske Media (PMC), the company behind brands like Rolling Stone, Billboard, Variety, and The Hollywood Reporter, is suing Google.
The lawsuit, filed in a federal district court in Washington, D.C., accuses Google of “abusing its adjudicated monopoly in General Search Services to coerce online publishers like PMC to supply content that Google republishes without permission in AI-generated answers.” The suit says the feature violates US antitrust laws and unfairly competes “for the attention of users on the Internet.”
The company’s lawyers go on to claim that “Google’s conduct threatens to leave the public with an increasingly unrecognizable Internet experience, in which users never leave Google’s walled garden and receive only synthetic, error-ridden answers in response to their queries.» PMC claims that 20% of Google search results that link to one of its outlets’ websites include AI overviews and that its affiliate revenue had declined by more than a third by the end of 2024 compared to its peak. Recommended by Our Editors
Last month, a member survey from Digital Content Next (DCN), a nonprofit group that represents many of the best-known names in publishing, found that median year-over-year referral traffic from Google Search was down 10% in May and June. Some of the worst-hit publishers reported click-through declines of as much as 25%.
Google has consistently tried to counter claims the tool is hurting publishers, arguing that AI Summaries can actually increase «high-quality clicks», where users stick around to browse the website, even if overall traffic falls. Liz Reid, VP and Head of Google Search, responded in an official statement that reports that are critical of the tool are «often based on flawed methodologies, isolated examples, or traffic changes that occurred prior to the rollout of AI features in Search.»
Though PMC appears to be the first major US publisher to sue Google over AI summaries in a US court, it’s already facing plenty of legal opposition in other parts of the world. In June, it was hit by a regulatory complaint in the European Union by an industry nonprofit called the Independent Publishers Alliance.
Though there is no way to turn off AI Summaries completely at present, there are plenty of tricks to reduce them.

両陛下が長崎・佐世保で国文祭開会式に出席 高校生平和大使らと交流

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天皇、皇后両陛下は14日、長崎県佐世保市の文化施設「アルカスSASEBO」で「国民文化祭と全国障害者芸術・文化祭」の開会式に出席された。天皇陛下は式典のあいさつで、古代から異国との懸け橋として多様な文化を受け入れてきた長崎の歴史に触れ、「文化芸術の更なる発展と平和への願いの高まりにつながることを希
天皇、皇后両陛下は 、長崎県佐世保市の文化施設「アルカスSASEBO」で「国民文化祭と全国障害者芸術・文化祭」の開会式に出席された。天皇陛下は式典のあいさつで、古代から異国との懸け橋として多様な文化を受け入れてきた長崎の歴史に触れ、「文化芸術の更なる発展と平和への願いの高まりにつながることを希望します」と述べた。両陛下は、演劇や音楽や踊りで歴史を紹介する舞台を熱心に見つめ、拍手を送っていた。
式典後は舞台に関わった人たちと交流。平和への感謝を込めて踊ったというバレエダンサーや、郷土芸能「龍踊(じゃおどり)」の指導者に「素晴らしかったです」と伝えた。高校生平和大使の高田健士郎さん(17)には日ごろの活動や将来の目標を尋ねていた。

The 2025 Emmys winners list

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See who won at the 2025 Emmys.
The 77th annual Emmy Awards is a pitched battle for hardware between deep-pocketed streamers and premium cable channels.
Representing the old guard of “peak TV,” HBO netted well over 50 nominations for fan favorites like “The White Lotus,” “The Penguin” and “The Last of Us.” While broadcast networks and basic cable held their own with shows like “Abbott Elementary” and “The Bear,” the top nom-getter in television in 2025 didn’t go out over the air. “Severance” leads all shows with an impressive 27 nominations.
Comedian Nate Bargatze, emcee for the night’s events, made a vow to “avoid politics,” telling Entertainment Weekly, prior to the start of the show on Sunday evening, “I know there’s heartbreaking stuff that’s been happening right now, but I want this night to be an escape and I think that’s why I was brought on.”
Here are the 77th Emmy Awards winners in full:
Outstanding Comedy Series
“Abbott Elementary”
“The Bear”
“Hacks”
“Nobody Wants This”
“Only Murders in the Building”
“Shrinking”
“The Studio”
“What We Do in the Shadows”
Outstanding Drama Series:
“Andor”
“The Diplomat”
“The Last of Us”
“Paradise”
“The Pitt”
“Severance”
“Slow Horses”
“The White Lotus”
Outstanding Limited or Anthology Series:
“Adolescence”
“Black Mirror”
“Dying for Sex”
“Monsters: The Lyle and Erik Menendez Story”
“The Penguin”
Outstanding Reality Competition Program:
“The Amazing Race”
“RuPaul’s Drag Race”
“Survivor”
“Top Chef”
“The Traitors” [WINNER]
Outstanding Talk Series:
“The Daily Show”
“Jimmy Kimmel Live!”
“The Late Show with Stephen Colbert”
Outstanding Scripted Variety Series:
“Last Week Tonight with John Oliver”
“Saturday Night Live”
Outstanding Variety Special (Live):
“The Apple Music Super Bowl LIX Halftime Show Starring Kendrick Lamar”
“Beyoncé Bowl”
“The Oscars”
“Saturday Night Live 50th Anniversary Special”
“SNL50: The Homecoming Concert”
Outstanding Directing for a Comedy Series:
“The Bear”: “Napkins” – Ayo Edebiri
“Hacks”: “A Slippery Slope” – Lucia Aniello
“Mid-Century Modern”: “Here’s to You, Mrs. Schneiderman” – James Burrows
“The Rehearsal”: “Pilot’s Code” – Nathan Fielder
“The Studio”: “The Oner” – Seth Rogen and Evan Goldberg
Outstanding Directing for a Drama Series:
“Andor”: “Who Are You?” – Janus Metz
“The Pitt”: “6:00 P.M.” – Amanda Marsalis
“The Pitt”: “7:00 A.M.” – John Wells
“Severance”: “Chikhai Bardo” – Jessica Lee Gagné
“Severance”: “Cold Harbor” – Ben Stiller
“Slow Horses”: “Hello Goodbye” – Adam Randall
“The White Lotus”: “Amor Fati” – Mike White
Outstanding Directing for a Limited or Anthology Series or Movie:
“Adolescence” – Philip Barantini
“Dying for Sex”: “It’s Not That Serious” – Shannon Murphy
“The Penguin”: “Cent’Anni” – Helen Shaver
“The Penguin”: “A Great or Little Thing” – Jennifer Getzinger
“Sirens”: “Exile” – Nicole Kassell
“Zero Day” – Lesli Linka Glatter
Outstanding Writing for a Comedy Series
“Abbott Elementary”: “Back to School” – Quinta Brunson
“Hacks”: “A Slippery Slope” – Lucia Aniello, Paul W. Downs, and Jen Statsky
“The Rehearsal”: “Pilot’s Code” – Nathan Fielder, Carrie Kemper, Adam Locke-Norton, and Eric Notarnicola
“Somebody Somewhere”: “AGG” – Hannah Bos, Paul Thureen, and Bridget Everett
“The Studio”: “The Promotion” – Seth Rogen, Evan Goldberg, Peter Huyck, Alex Gregory, and Frida Perez
“What We Do in the Shadows”: “The Finale” – Sam Johnson, Sarah Naftalis, and Paul Simms
Outstanding Writing for a Drama Series
“Andor”: “Welcome to the Rebellion” – Dan Gilroy
“The Pitt”: “2:00 P.M.” – Joe Sachs
“The Pitt”: “7:00 A.M.” – R. Scott Gemmill
“Severance”: “Cold Harbor” – Dan Erickson
“Slow Horses”: “Hello Goodbye” – Will Smith
“The White Lotus”: “Full-Moon Party” – Mike White
Outstanding Writing for a Limited or Anthology Series or Movie:
“Adolescence” – Jack Thorne and Stephen Graham
“Black Mirror”: “Common People” – Story by: Charlie Brooker and Bisha K. Ali
Teleplay by: Charlie Brooker
“Dying for Sex”: “Good Value Diet Soda” – Story by: Kim Rosenstock and Elizabeth Meriwether
Teleplay by Kim Rosenstock
“The Penguin”: “A Great or Little Thing” – Lauren LeFranc
“Say Nothing”: “The People In The Dirt” – Joshua Zetumer
Outstanding Writing for a Variety Series
“The Daily Show”
“Last Week Tonight with John Oliver”
“Saturday Night Live”
Outstanding Lead Actor in a Comedy Series:
Adam Brody – “Nobody Wants This”
Seth Rogen – “The Studio” [WINNER]
Jason Segel – “Shrinking”
Martin Short – “Only Murders in the Building”
Jeremy Allen White – “The Bear”
Outstanding Lead Actress in a Comedy Series:
Uzo Aduba – “The Residence”
Kristen Bell – “Nobody Wants This”
Quinta Brunson – “Abbott Elementary”
Ayo Edebiri – “The Bear”
Jean Smart – “Hacks” [WINNER]
Outstanding Lead Actor in a Drama Series:
Sterling K. Brown – “Paradise”
Gary Oldman – “Slow Horses”
Pedro Pascal – “The Last of Us”
Adam Scott – “Severance”
Noah Wyle – “The Pitt”
Outstanding Lead Actress in a Drama Series:
Kathy Bates – “Matlock”
Sharon Horgan – “Bad Sisters”
Britt Lower – “Severance” [WINNER]
Bella Ramsey – “The Last of Us”
Keri Russell – “The Diplomat”
Outstanding Lead Actor in a Limited or Anthology Series or Movie:
Colin Farrell – “The Penguin”
Stephen Graham – “Adolescence”
Jake Gyllenhaal – “Presumed Innocent”
Brian Tyree Henry – “Dope Thief”
Cooper Koch – “Monsters: The Lyle and Erik Menendez Story”
Outstanding Lead Actress in a Limited or Anthology Series or Movie
Cate Blanchett – “Disclaimer”
Meghann Fahy – “Sirens”
Rashida Jones – “Black Mirror”
Cristin Milioti – “The Penguin”
Michelle Williams – “Dying for Sex”
Outstanding Supporting Actor in a Comedy Series:
Ike Barinholtz – “The Studio”
Colman Domingo – “The Four Seasons”
Harrison Ford – “Shrinking”
Jeff Hiller – “Somebody Somewhere”
Ebon Moss-Bachrach – “The Bear”
Michael Urie – “Shrinking”
Bowen Yang – “Saturday Night Live”
Outstanding Supporting Actress in a Comedy Series:
Liza Colón-Zayas – “The Bear”
Hannah Einbinder – “Hacks” [WINNER]
Kathryn Hahn – “The Studio”
Janelle James – “Abbott Elementary”
Catherine O’Hara – “The Studio”
Sheryl Lee Ralph – “Abbott Elementary”
Jessica Williams – “Shrinking”
Outstanding Supporting Actor in a Drama Series:
Zach Cherry – “Severance”
Walton Goggins – “The White Lotus”
Jason Isaacs – “The White Lotus”
James Marsden – “Paradise”
Sam Rockwell – “The White Lotus”
Tramell Tillman – “Severance” [WINNER]
John Turturro – “Severance”
Outstanding Supporting Actress in a Drama Series:
Patricia Arquette – “Severance”
Carrie Coon – “The White Lotus”
Katherine LaNasa – “The Pitt” [WINNER]
Julianne Nicholson – “Paradise”
Parker Posey – “The White Lotus”
Natasha Rothwell – “The White Lotus”
Aimee Lou Wood – “The White Lotus”
Outstanding Supporting Actor in a Limited or Anthology Series or Movie:
Javier Bardem – “Monsters: The Lyle and Erik Menendez Story”
Bill Camp – “Presumed Innocent”
Owen Cooper – “Adolescence”
Rob Delaney – “Dying for Sex”
Peter Sarsgaard – “Presumed Innocent”
Ashley Walters – “Adolescence”
Outstanding Supporting Actress in a Limited or Anthology Series or Movie
Erin Doherty – “Adolescence”
Ruth Negga – “Presumed Innocent”
Deirdre O’Connell – “The Penguin”
Chloë Sevigny – “Monsters: The Lyle and Erik Menendez Story”
Jenny Slate – “Dying for Sex”
Christine Tremarco – “Adolescence”

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