Wayne Brady on 'Hamilton' role: 'I've done theater my whole life'
When news broke earlier this week about actor/comedian/singer Wayne Brady stepping into the role of Aaron Burr in the Chicago cast of “Hamilton,” the reaction was joyous for most theater fans, and perhaps a tad confusing for others.
Take note: Brady is more than ideally cast in this incredible role in this marvelous musical.
Wayne Brady stars on “Whose Line Is It Anyway?” | Photo © 2015 Danny Feld/The CW
He may be best-known for his television improv work on “Whose Line Is It Anyway?,” or guest appearances on “How I Met Your Mother” or his role as Uncle Louis on “Everybody Hates Chris.” Or for his hosting duties on the daytime game show revamp of “Let’s Make a Deal” (which is in its 8th season), or for his sold-out comedy world tour “Makin’ S–t Up.” But more importantly — listen up, stage fans — Brady has been performing in the theater for decades, including productions of “Rent,” “A Chorus Line,” and most recently his critically acclaimed turns on Broadway as Lola in “Kinky Boots” and Billy Flynn in “Chicago.”
And though he says he and “Hamilton” creator/star Lin-Manuel Miranda have been friends for years, the Aaron Burr role came about through the usual process.
“I auditioned,” Brady said, after a daylong “Hamilton” rehearsal Tuesday (his final dress rehearsal is Jan. 13; he takes over the role officially on Jan. 17). “My audition was just as good if not better than anyone else who auditioned. This was not nepotism. The truth is, if I sucked, I wouldn’t be getting this role. Why would [the producers] damage the role [or jeopardize] the show? … There’s no big name above the marquee saying, hey ‘Come see Wayne Brady in Hamilton!’ This is one show that will fly if it is Jimmy from Timbuktu in the role — as long as Jimmy is talented enough to do it. I had to kick ass to make the point as to why they should hire me.”
Brady revealed the road to Burr was a long one, though things ultimately — and quickly — unfolded late last year.
I’ve wanted to do [this role] a year ago in New York,” Brady said. “Lin and I hang in the same theater circles, along with [“Hamilton”] director Tommy Kail. And I told them I wanted so badly to try out for this role. So we had been in talks for a year for the New York production. I auditioned for Lin and Tommy. Everybody has to audition. They know what I do [theatrically]. And I said, ‘I want this badly enough — I’ll show you I can do this stuff.’ So you humble yourself and you do your best. But it ended up not working out for me because of my shooting schedule for “Let’s Make a Deal.” Luckily, this Chicago situation happened and I got a call on the 15th of December and I was out here rehearsing on Dec. 19. I learned the show in less than two weeks, but I’m a fast learner. .. I’ve done theater my whole life. I was always a swing [cast members who learn many of the key roles of a particular show and can step into a role at a moment’s notice]. I’ve always been a quick study and getting many roles under your belt in a short amount of time.”
This is really happening! I’m so glad to be in a business where I can still feel like a kid on Xmas everyday! pic.twitter.com/O6wkz8dpiw
— Wayne Brady (@waynebrady) January 10, 2017
Brady also headed to “Hamilton” fresh from his lead role as Charley Kringas in the Los Angeles production of Stephen Sondheim’s “Merrily We Roll Along” this past November.
“Sondheim was super difficult because I was never connected to it,” Brady said. “Lin’s music is easier for me because I’m a hip-hop fan. I am a singer and a writer and an amateur MC. Lin’s music is poetry. That cat is so smart!”
The role of Burr is one of the show’s most potent, and features almost as much stage time as that of Hamilton (played here by Miguel Cervantes).
“The most daunting aspect of the role? You want it to be absolutely perfect because the show is so dense verbally,” Brady said, “especially for Hamilton, and secondly for Burr. There’s so many places where, Lord forbid — you do NOT want to go up on a line! Because there will be someone who will go,”Did that dude just make something up in freestyle?”
“I’ve done musicals like ‘Rent’ and ‘Chorus Line’ where you really have to be a theater nerd to know the score. And you have a few theater nerds who sit in the front row and sing along. But this is a show where people who’ve never even seen the show know EVERY word of EVERY character from the [cast recording]. My daughter [13-year-old Maile Masako Brady] has seen the show six times and she knows every word of every character. She could do a one-woman version of it. People are definitely gonna be coming to the show saying ‘Don’t you screw up my song!”
“I saw the show a whole bunch, as well, and I knew a lot of the songs,” Brady continued. “There were songs that I really liked and listened to a lot, but other songs, maybe cuz they were the girls’ songs, that I didn’t listen to much. So my daughter was my study buddy. She really helped me. Believe me, she [was brutally honest] and said things like, ‘Dad that’s completely wrong’ or ‘Dad, that’s the wrong word!.’”
Brady said he’s been going back and forth between Chicago and L. A. to shoot the fifth season of “Whose Line?,” and he’s truly enjoying many aspects of Chicago.
“The food!,” Brady said, with a chuckle. “I love the food here. I never realized that Chicago is such a foodie town. And the theater community! This is the city I was going to move to [out of college at the University of Miami] if I didn’t go to New York or L. A. I wanted to work at Goodman or Steppenwolf or Second City. I just happened to take a left.”
© Source: http://chicago.suntimes.com/entertainment/wayne-brady-on-hamilton-role-ive-done-theater-my-whole-life/
All rights are reserved and belongs to a source media.
5:30 PM PST 1/11/2017
Well, it’s that time of the year again when I write “Well, it’s that time of the year again to look ahead to some of the new movies opening in the UK in the next 12 months.” As usual, January and February are stuffed full of awards season hopefuls. This year, these include the musical La Land , which I’ll be reviewing in next week’s NS , and Manchester By the Sea , a tale of grief and guilt that is the exact antithesis of La Land in terms of mood (both open on 13 Jan). Also hoping for trophies and trinkets are Jackie (20 Jan), in which Natalie Portman plays JFK’s widow, and Moonlight (17 Feb), the lyrical story of a young, gay, African-American boy growing up in Miami. Look out for Cameraperson , in which the documentary cinematographer Kristin Johnson assembles a touching visual memoir using odds and ends from films she has shot. That opens on 27 January, as does the belated sequel T2 Trainspotting , which reunites the cast and crew of Danny Boyle’s 1996 original. The German comedy Toni Erdmann (3 Feb), about the comically fraught relationship between a woman and her prankster father, took home the five top prizes at the recent European Film Awards. 
(CNN) It’s been nearly six months since Donald J. Trump has been at the podium taking questions from reporters. But his bravado, tart taunts of reporters, and his creative use of the facts were as dominant as they were throughout his campaign.
Surely you’ve heard of Elijah Page? A voice from the past, yes, but a voice you remember: he played guitar and stood up alone to sing about injustice and heartbreak in the days when it still seemed possible to change the world. Dylan, Guthrie, Seeger, Page – performing in clubs and at festivals, for audiences that took those voices to heart, that shaped their lives according to the songs they heard. 
SMITHTOWN, N. Y. (CBSNewYork) — The film “La La Land” is inspiring even those with two left feet to get up and dance. 
That’s the newest estimate, thanks to rocks and soil collected by the Apollo 14 moonwalkers in 1971. 
TOKYO, Jan. 11 (UPI) — Japan’s coast guard rescued passengers on a flooded North Korean cargo ship, according to a local television network. 
SEOUL, Jan. 11 (UPI) — North Korea has taken its expertise in the construction of water parks to neighboring Russia, according to Pyongyang’s state-controlled media. 
